Past Exhibitions

A young man wearing an orange turban.

Past Exhibitions

The Fairfield University Art Museum was formerly known as the Bellarmine Museum of Art, which was founded in 2010. All past exhibitions, including those held at the Walsh Gallery (which was operated independently until 2013) are listed here. To access and download digital materials for exhibitions since 2010 go to the museum’s digital archive.

David Hayes, Pendant n. 31, n.d. Brass. Collections of the artist

Sculptured Adornment: The Jewelry of David Hayes

Bellarmine Hall Galleries

October 4 - December 21, 2019

Humans have been crafting and wearing jewelry for the past 5,000 years. More than simple accessories, these objects serve as symbols of class, family, gender, and originality. Jewelry can also be seen as miniature sculptures worn on the body; in this light, jewelry celebrates the union of craft and materials, as artists have built upon both old and new techniques to create work that enriches the experience of both wearer and viewer. The exhibition Sculptured Adornment: The Jewelry of David Hayes focuses on the work of a sculptor who branched into jewelry-making during the 1950s. The pieces of jewelry on view primarily served as gifts for Hayes’ family members and friends, and represent the loving relationships he had with them. This exhibition, which opened at the Georgia Museum of Art in May 2019, presents these personal ornaments to the public for the first time. Hayes was born in 1931 and grew up in Connecticut during the Depression and the Second World War. He left New England for college in the Midwest, earning a bachelor’s degree in art from Notre Dame in 1953 and a master’s in 1955 from Indiana University. Hayes won a Fulbright scholarship and subsequently spent eight years in France. Along the way, he met several artists who influenced his skills and aesthetics, including the abstract sculptors David Smith and Alexander Calder. Hayes died in Coventry, CT in 2013. Hayes’ sculptures combined seemingly organic shapes with industrial materials, often on a monumental scale. His jewelry, in contrast, is small and delicate. This intimate exhibition includes approximately 40 brooches and pendants. Most of the brooches do not have clasps, leaving flexibility for the wearer to determine how to attach them to clothing. The hammered surfaces of these talisman-like objects brings the strength and mystery of iron-shaping into the 20th century. Both naturalistic and abstracted elements in the pieces on view suggest an otherworldly aesthetic.

Image: David Hayes, Pendant n. 31, n.d. Brass. Collections of the artist

Henri de Toulouse-Lautrec, Mary Hamilton

Prints from the Age of Rodin

Bellarmine Hall Galleries

October 4 - December 21, 2019

Presented in conjunction with RODIN: TRUTH, FORM, LIFE / Selections from the Iris and B. Gerald Cantor Collections (Walsh Gallery, September 13 – December 21, 2019), Prints from the Age of Rodin features lithographs and etchings by Rodin’s contemporaries, ranging from views of the urban environment of Paris, to portraits of artists, writers, and thinkers, to theater playbills and advertisements.

Drawn from the museum’s permanent collection, as well as selected items on loan from the Jundt Art Museum of Gonzaga University, the exhibition includes works by Berthe Morisot, Henri Toulouse-Lautrec, and Félix Vallotton that illuminate the rich cultural atmosphere of Paris during the late 19th and early 20th centuries.

Image: Henri de Toulouse-Lautrec, Mary Hamilton, 1894. Lithograph. Promised gift of James Reed

Rodin Sculpture

RODIN: TRUTH, FORM, LIFE Selections from the Iris and B. Gerald Cantor Collections

Thomas J. Walsh Gallery

September 13 - December 21, 2019

This small but powerful retrospective called RODIN: TRUTH, FORM, LIFE, Selections from the Iris and B. Gerald Cantor Collections is comprised of 22 bronzes.

Visitors to this exhibition will come face to face with the powerful emotions embedded in the works of the “father” of modern sculpture.

Rodin’s focus on depicting human emotion and intimate moments upended the world of traditional sculpture in the late 19th and early 20th centuries. His innovative processes of repetition and multiplication broke boundaries, and his influence endures today.

Piece from Hildreth Meière: The Art of Commerce

Hildreth Meière: The Art of Commerce

Bellarmine Hall Galleries

April 18 – September 21, 2019

Hildreth Meière was a prolific muralist whose commissioned works adorn the walls and ceilings of public buildings from New York to California. Born in New York in 1892, Meière first studied art in Florence, Italy, where she discovered the frescoes and mosaics that were to inform her craft. Continuing her studies in New York, California, and Chicago, she traveled to Europe during the summers where she was introduced to les arts decoratifs, later to be known as Art Deco, of which she became an early exponent.

Print from The Artist Collects

The Artist Collects
Highlights from the James Reed Collection

Thomas J. Walsh Gallery

March 14 – June 8, 2019

This exhibition celebrates the transformative gift of the James Reed Collection of Old Master, 19th-century, and modern prints to the Fairfield University Art Museum. Assembled over several decades by artist, collector and Master Printer James Reed, the collection comprises more than 1,500 prints spanning the 16th through the early 21st centuries. The exhibition presents highlights from the three great strengths of the Reed Collection: 19th-century French etching and lithography; German Expressionist woodcuts and lithographs; and modern and contemporary prints.

French Drawing

A French Affair
Drawings and Paintings from The Horvitz Collection

Bellarmine Hall Galleries

January 25 – March 30, 2019

History, mythology, poetry, and portraiture provided a vast range of subject matter for French artists of the 17th, 18th and early 19th centuries. Drawn from the peerless holdings of The Horvitz Collection—one of the world’s most comprehensive collections of early modern French art—this exhibition features paintings and drawings in all these genres by such celebrated artists as Charles Le Brun, Nicolas de Largillière, Jean-Honoré Fragonard, Jean-Baptiste Oudry and Anne-Louis Girodet de Roucy Trioson. The impressive selection of over 50 drawings, some exhibited with related prints, focuses on a particular category—designs for book illustration—thereby highlighting not only the creative inventiveness of the artists who formulated lavish visual imagery from the written word, but also the rich literary traditions of France and the vibrant book publishing industry they spawned.

Ghosts: French Holocaust Children

Ghosts: French Holocaust Children

Thomas J. Walsh Gallery

January 24 – March 2, 2019

During World War II, over 11,000 Jewish children were deported from France to Nazi death camps. These children were among more than 75,000 French Jews deported under the Nazi plan for the “Final Solution to the Jewish question.” Of those French Jews transported, only 2,564 survived the Shoah. At most 300 of these Jewish children survived.

Ghosts: French Holocaust Children is an installation of sculptural and photographic work by Robert Hirsch and Hirsch Projects. This three-dimensional installation acts as an ethereal commemoration to these children’s abbreviated lives. The project was created based on documents and photographs collected by author, lawyer, and Nazi-hunter Serge Klarsfeld that have been reinterpreted and presented in the form of three 1/5-scale boxcars containing over 600 expressionistic portraits of these deported children, plus a series of mural-sized individual portraits.

Piece from Collateral Damage collection

Mohamad Hafez
Collateral Damage

Thomas J. Walsh Gallery

October 26 – December 15, 2018

Born in Damascus, raised in Saudi Arabia, and educated in the Midwestern U.S., artist and architect Mohamad Hafez explores the impact of the political turmoil of the Middle East through hyper-realistic streetscapes crafted from found objects, paint, and scrap metal. Architectural in appearance yet politically charged in content, his miniaturized tableaus are alternately nostalgic, charming, and deeply painful.

Mohamad Hafez: Collateral Damage features a selection of work across multiple projects, including the site-specific installation Sea Garbage, as well as pieces from his Baggage series, in which the artist creates tableaus suggestive of the experience of refugees – many of whom are forced to flee their homes at short notice, or with only as much as they can carry – and places them inside vintage suitcases.

This exhibition also features selected works by two contemporary Syrian artists, photographer and digital artist Hala el-Abed and filmmaker Waref abu Quba, which explore themes of violence and loss centered around the Syrian refugee crisis.

Image: Mohamad Hafez, Hiraeth, 2017. Plaster, paint, rusted metal, found objects, rigid foam. 60 x 32 x 17 inches. © Mohamad Hafez.

Piece from The Collections of Alfred James Tulk: Liberia, 1931-33

Liberia, 1931-33
The Collections of Alfred J. Tulk

Bellarmine Hall Galleries

September 14 - December 14, 2018

Many important collections of West African art trace their origins to the state of Connecticut. This exhibition highlights objects acquired in the early 1930s by Connecticut artist Alfred James Tulk of Stamford.

Born in London in 1899, Alfred Tulk studied art at Oberlin Art College and then Yale University, from where he earned his BA in 1923. Tulk is best known for his public mural paintings, stained glass windows, and mosaics, many of which he completed during his tenure at the Rambusch Decorating Company in New York City. Between 1925 and 1954, he painted over 300 large murals for theatres, churches, hotels, restaurants, and private homes in the United States.

In 1931, Alfred Tulk and his wife, Ethel Tulk, traveled from their home in Connecticut to rural Liberia, where they spent one year living and working in Ganta at the American Methodist mission station established there in 1926 by Tulk's close friend, medical missionary Dr. George W. Harley. While in Liberia, Tulk assembled a small but important collection of masks, statues, and other objects of daily use and material culture a number of which have been re-assembled for this exhibition. He also created a portfolio of portrait drawings and oil paintings which he created in situ of local subjects from the region around Ganta. The exhibition will include several of Tulk's own artworks, as well as some of his field photographs, his map of Liberia, selected correspondence, and a copy of his original handwritten field diary.

Piece from Mizusashi: Japanese Water Jars from the Carol and Jeffrey Horvitz Collection

Mizusashi: Japanese Water Jars from the Carol and Jeffrey Horvitz Collection

Bellarmine Hall Galleries

June 5, 2018 - December 14, 2018

A mizusashi is a utensil used in the Japanese tea ceremony, a tradition with medieval origins that is still widely practiced today. In a tea gathering, a host prepares bowls of tea by whisking together powdered green tea and hot water drawn from a kettle. The mizusashi, typically an earthenware or stoneware jar, holds the water used to replenish the kettle and rinse the bowls. The first utensil to enter the room and the last to leave, the mizusashi is a locational and aesthetic anchor for the gathering and can take a wide variety of shapes, sizes, and appearances. This selection of 20th- and 21st-century mizusashi highlights two important trends-the perpetuation of longstanding tea traditions alongside the artistry and technical excellence that define modern Japanese ceramics.

Image © Katsumata Chieko

Piece from #UNLOAD: Guns in the Hands of Artists

#UNLOAD: Guns in the Hands of Artists

Thomas J. Walsh Gallery

June 1 - October 13, 2018

The Fairfield University Art Museum, in partnership with # UNLOAD and the Guns In The Hands of Artists Foundation, is proud to announce the opening of the exhibition, # UNLOAD : Guns in the Hands of Artists. Each piece in the exhibition was created using decommissioned guns, taken off the streets of New Orleans via a gun buyback program and distributed to internationally-known artists. Painters, glass artists, sculptors, photographers, poets, and other artists used the decommissioned firearms to create works of art that address the complex issue of guns and gun violence. The exhibition originated in mid-1990s New Orleans, where a spiking murder rate led artist Brian Borrello to conceive of the first iteration of Guns in the Hands of Artists exhibition by bringing the discussion over the role of guns and gun violence in our society into the realm of art -- art as the language for dialogue and possibly change without the often partisan and polarized politics that surround the issue. Borrello and gallery owner Jonathan Ferrara mounted this exhibition at Positive Space The Gallery in September 1996 in the Lower Garden District of New Orleans. In 2014, Ferrara reorganized the exhibition to feature work by internationally recognized artists. Through their own medium, each artist has used the decommissioned firearms to create works that express a thought, make a statement, open a discussion, and stimulate thinking about guns in our culture.



Piece from Universal Archive

William Kentridge:
Universal Archive

Thomas J. Walsh Gallery

March 1 – May 19, 2018

The exhibition presents new works on paper by renowned South African artist William Kentridge (b. 1955), inspired during the writing of his Norton Lectures, which he delivered at Harvard University in 2012. In more than 75 linocut prints based on ink sketches and printed on dictionary and encyclopedia pages, Kentridge revisits a familiar personal iconography, including coffee pots, typewriters, cats, trees, nudes and other imagery, exploring a thematic repertoire that has appeared in art and stage productions throughout his long career. The prints, which shift from identifiable subject matter to deconstructed images of abstract marks, form juxtapositions with the underlying text that suggest skepticism about the creative process and knowledge construction. 

Piece from the holy name

Art of the Gesù: Bernini and his Age

Bellarmine Hall Galleries

February 2 – May 19, 2018

This major international loan exhibition will bring together for the first time an important group of dazzling and historically important works of art to tell the twin stories of the rise of the Society of Jesus in Rome and the building and embellishment of the Gesù, its glorious mother church, in the very center of the city. Masterpieces on view include art from the Gesù itself (never before lent to America), the most spectacular being the great Baroque sculptor Gian Lorenzo Bernini’s marble bust of Jesuit theologian and cardinal Roberto Bellarmino, and paintings, drawings, sculpture and prints from numerous museums and private collections in America.
Piece from Lytle Exhibition

Richard Lytle: A Retrospective

Thomas J. Walsh Gallery

September 15, 2017 – February 3, 2018

Richard Lytle (American, b. 1935) has been exhibiting his work internationally since the mid-1950s. He attended the Cooper Union, then graduated from Yale University with a BFA in 1957 and from Yale College of Art with an MFA in 1960. While still in graduate school, he was selected for Dorothy Miller’s seminal 1959 “Sixteen Americans” at the Museum of Modern Art in New York. He was in auspicious company, as this exhibition introduced the museum-going world to Jasper Johns, Frank Stella, Robert Rauschenberg, Louise Nevelson and Ellsworth Kelly among others. 

Piece from Picturing History: Ledger Drawings of the Plains Indians

Picturing History: Ledger Drawings of the Plains Indians

Bellarmine Hall Galleries

September 27 - December 20, 2017

In the second half of the nineteenth century, artists from the Plains Indian peoples (Lakota, Cheyenne, Arapaho and others dwelling in the Western United States and Canada) produced an extraordinarily rich and distinctive body of drawings chronicling battles, rituals, and winsome if sometimes jarring events of everyday life. Known as Ledger Drawings because they were done on the pages of commercially produced account books, these striking images, many bearing pictographic signatures, are executed in ink, graphite, and colored pencil and watercolor. Some favor flat, stylized forms and a stark economy of means, while others show a lyrical predilection for rhythmic movement, minute descriptive and narrative detail, and dense, mosaic-like surface patterns. What all share is their makers' acute powers of observation and ambition to record and describe recognizable people, places, things and events-to eloquently picture and record history as it transpired.

Piece from Michael Gallagher

Michael Gallagher
Sketching the Landscape: A Plein Air Journal

Bellarmine Hall Galleries

April 21 - September 8, 2017

In his professional life as one of the world's foremost paintings conservators, Michael Gallagher has worked on masterpieces by such luminaries of European art as Botticelli, Michelangelo, Poussin, Rubens and Velázquez. Calling on specialized knowledge of materials and techniques used by painters at different moments in history, his sensitive interventions have helped recover the artists' intentions, revealing luminous surfaces and lost details of panel paintings and canvases that had been compromised by damage and obscured by later overpaint and darkened varnish.

In his private moments Gallagher has long sketched and painted landscapes--poetic, evocative and light-dappled scenes of rolling hills, sparkling seasides, rocky outcroppings and moody forests. Done in vastly diverging locales in different continents and hemispheres, at different times of day, and in all four seasons, his plein air watercolors and oil sketches capture a nuanced sense of place, at once changing and immutable, undisturbed by human presence. Discretely observed and inflected by a reticent silence, these ruminations on the landscape in its myriad manifestations form a journal of visual responses, chronicled over time.

Piece from H. A. Sigg: Abstract Rivers

H. A. Sigg: Abstract Rivers

Thomas J. Walsh Gallery

March 24 - June 10, 2017

H. A. Sigg was born in Switzerland in 1924 and studied in Zurich and later Paris, where he was especially captivated by the art of French Nabi painter Pierre Bonnard. Although his paintings of the 1950s adhere to a figurative idiom, he evolved a purely abstract style, whose graceful, atmospheric and minimalist forms and motifs were inflected by aerial views of Southeast Asia, a vantage point he was afforded in 1968 when he was invited by Swissair to fly as "artist in residence in the sky."; From his privileged, sweeping view from the cockpit, he made sketches of the distant topography below. These became the inspiration and the source of the lithe and geometric abstractions suggestive of terraced fields and gently meandering rivers that characterize his work beginning in the 1970s.

Piece from Adolf Dehn

Adolf Dehn
Midcentury Manhattan

Bellarmine Hall Galleries

January 27 - April 7, 2017

This exhibition will explore the Manhattan subjects of National Academician Adolf Dehn (1895-1968). Visiting, and then living in New York City, Dehn captured the essence of the city in his paintings, prints and drawings of the landscapes of Central Park, and of the city's burlesque and night club scenes. While best known as a lithographer and one of the founding members of the American Artists Group, Dehn played a significant role in America's contemporary realist movement starting in the 1930s. He was included in every Whitney Museum of American Art "Annual" and "Biennial" invitational exhibition from the first biennial 1932 into the early 1960's, and still holds the record for being in more of these prestigious shows than any other artist. His work is in the permanent collections of more than eighty museums.

Piece from Leonardo Cremonini (1925-2010)

Leonardo Cremonini (1925-2010)
Timeless Monumentality:
Paintings from The William Louis-Dreyfus Foundation

Thomas J. Walsh Gallery

November 4, 2016 - March 4, 2017

Leonardo Cremonini was one of the preeminent Italian painters of the twentieth century. Widely admired, critically acclaimed, and technically accomplished, his works are to be found in the Museum of Modern Art in New York, the Hirschhorn Museum in Washington, D. C., the Musée d'Art Moderne, Centre Georges Pompidou in Paris, and numerous other public collections across Europe and the United States.

Piece of ceramic from the Horvitz collection

Crafting the Elements: Ceramic Art of Modern Japan from the Collection of Carol and Jeffrey Horvitz

Bellarmine Hall Galleries

September 29 - December 16, 2016

Ceramic art is an ancient, enduring and vibrant form of creative expression in Japanese culture-a medium created from the fusion of the elements earth, fire, and water. Contemporary ceramic artists in Japan are deeply mindful of the venerable forms and traditions underlying their craft, and their works frequently abound with historical references. At the same time, many of these artists boldly bend and stretch artistic conventions to incorporate new forms and ornamental language. Echoes of ceremonial vessels and implements co-exist beside fluid, organic and evocative shapes that push the medium to its most elastic possibilities.

Piece from Don Gummer

Don Gummer
The Armature of Emotion: Drawings and Sculpture

Thomas J. Walsh Gallery

March 3 - June 11, 2016

This exhibition presents drawings and sculptures by internationally renowned artist Don Gummer. Gummer's richly layered, cerebrally composed drawings incorporate color, encaustic (an ancient technique in which pigment is suspended in wax) and collage. Reiterating many of the forms and motifs articulated in his reliefs and his free-standing sculptures, they function both as fluid heralds and intermediaries, and as autonomous creations. Informing Gummer's drawings and sculpture alike is an innate and immutable sensibility for structure. In the disciplined architecture that undergirds the construction of forms, Gummer achieves a paradoxical synthesis of stasis and flow--an elastic armature capable at once of containing and expressing emotion.

Piece from Vaults of Heaven: Visions of Byzantium

Vaults of Heaven: Visions of Byzantium

Bellarmine Hall Galleries

April 15 - September 16, 2016

The splendor of Byzantine sacred art is preserved in the interiors of millennium-old churches in Constantinople (modern-day Istanbul)--capital of the Byzantine Empire--and the Cappadocia region of Turkey, the latter abandoned in the fifteenth century but still preserved today. Vaults of Heaven: Visions of Byzantium features eight large-scale images by acclaimed Turkish photographer Ahmet Ertug that capture the expressive power and timeless majesty of some of these imposing monuments: the Karankik Kilise (Dark Church), the New Church of Tokali (Buckle Church), the Meryem Ana Kilisesi (Church of the Mother of God), and Saint Saviour. These photographs offer sweeping views of the shadowy, evocative interiors as well as close-up details of the wall paintings showing hagiographic subjects and scenes of the life of Christ.

Piece from Edward Koren: The Capricious Line

Edward Koren: The Capricious Line

The Bellarmine Museum

February 5, 2016 - April 8, 2016

Edward Koren: The Capricious Line is a major survey of the work of the artist best known for his cartoons and cover illustrations for The New Yorker magazine.This exhibition explores the full range of art that Edward Koren has produced during the past five decades: original drawings for cartoons and illustrated books as well as prints and independent drawings, many of which have never been displayed before. The artist's "capricious line" consists primarily of short strokes that create remarkably descriptive and expressive images. Koren's work brings us into the realm of fantasy based firmly in reality, such contradiction being one source of its humor.

Piece from Hair in the Classical World

Hair in the Classical World

The Bellarmine Museum

October 7 - December 18, 2015

In most cultures hair is not worn in its natural state; it is artfully styled or dressed. Cut, combed, colored, curled, and shaped hair -- that most universal of physical features -- is also frequently adorned with implements or braids and occasionally, further embellished with pins, beads, and other decorations.

Piece from The Essence of Decadence

The Essence of Decadence

Thomas J. Walsh Gallery

September 19 - October 25, 2015

Italian artists Tania Brassesco (b. 1986) and Lazlo Passi Norberto (b. 1984) met as students in Venice in 2008. They have collaborated on several series of photographs that fuse their experience in performance, painting, set design, installation, photography and video. "The Essence of Decadence" is their first project together. The seven photographs, in which Tania appears as the model and artistic muse, reprise with uncanny fidelity the moody, poetic compositions of Gustav Klimt and other fin-de-siècle painters. Using the elastic, expressive and contemporary medium of photography, the artists painstakingly translate and reproduce with an almost surreal, magical verisimilitude the language of painting from another epoch. The result is a series of images that are hyper-real artistic fiction. This intriguing paradox is the essence of Tania and Lazlo's work.

This exhibition is organized by the Bellarmine Museum of Art and presented in celebration of the 25th anniversary of the Quick Center for the Arts of Fairfield University.

Piece from DANCE: Marc Mellon, Jane Sutherland, Philip Trager

DANCE: Marc Mellon, Jane Sutherland, Philip Trager

Thomas J. Walsh Gallery

September 18, 2015-January 15, 2016

For more than five millennia, visual artists have been drawn to dance as a subject for their art-making. The ancient Egyptians, Greeks, and Romans all immortalized dancers - and their dances - in a range of media, including murals, vase decorations, cameos, and coins. Christian art, too, exhibited a marked fascination with the Bible's most infamous dancer, Salome, whose mesmerizing movements induced Herod to decapitate John the Baptist at her request.

Piece from Rick Shaefer: The Refugee Trilogy

Rick Shaefer: The Refugee Trilogy

Thomas J. Walsh Gallery

September 8 - October 22, 2016

The Fairfield University Art Museum is pleased to present the inaugural exhibition of a monumental new series by Connecticut artist Rick Shaefer created in response to the ongoing refugee crisis convulsing the globe. This three-piece suite is comprised of Land Crossing, dealing with the migration across foreign lands; Water Crossing, addressing the perilous journeys of refugees who take to the open seas; and Border Crossing, spotlighting the hostilities refugees face in seeking safe haven far from a violence-torn homeland. The trilogy employs the artistic lexicon of old master painting (specifically incorporating heroic figurative elements from works by Rubens and Géricault) to explore this contemporary crisis in a language both familiar and iconic. Such historical allusions underscore the tenacious persistence of this epic human tragedy throughout time, past and present.

In addition to the three triptychs, each executed in charcoal on vellum, the exhibition will include a number of Shaefer's preparatory drawings for the series.

Piece from Jan Dilenschneider: Dualities

Jan Dilenschneider: Dualities

The Bellarmine Museum

June 4 - September 18, 2015

Connecticut artist Jan Dilenschneider finds much of her inspiration in the wondrous variegation of nature. Influences from Impressionism and Expressionism echo in her rich palette, loose brush strokes, and luminous vistas, while her affinity for landscape and the atmospheric effects of light and color link her to the venerable local tradition of landscape painting exemplified by the Cos Cob School that ‌flourished a century ago. "I am greatly influenced by living on Long Island Sound, where many subjects lie within a mile of my home and studio," Dilenschneider has mused, "beautiful old trees, crystal blue water, elegant grasses, birds and great storms. I see a painting in everything: spring green leaves against bright blue skies, or misty trees that fade to blue-gray. The beauty of the world is my inspiration."

Piece from Ghosts in the Landscape: Vietnam Revisited

Ghosts in the Landscape: Vietnam Revisited

Thomas J. Walsh Gallery

March 26-June 6, 2015

Over a four-year period beginning in 1995, photographer Craig J. Barber, ex-combat Marine, returned to Vietnam to traverse many of his former military routes, making images with an 8x10-inch pinhole camera. In part a cathartic exercise, and a need to satisfy his curiosity about what had become of this once war-torn country, Barber created a series of 46 diptych and triptych panorama platinum images that capture the serene beauty of the country and, at times for him, the all-too-memorable landscapes. The tonality of the platinum process produces images with stunningly rich blacks and a full spectrum of delicately nuanced shades of gray.

Piece from Gari Melchers: An American Impressionist at Home and Abroad

Gari Melchers: An American Impressionist at Home and Abroad

The Bellarmine Museum

March 5 - May 22, 2015

Hugely successful during his own lifetime, the Detroit-born artist Julius Garibaldi ("Gari") Melchers left behind an artistic legacy that is as varied as it is compelling. From engaging peasant scenes inspired by his years at the Egmonds, Holland (where he shared a studio with the great American painter George Hitchcock in the late 19th century) to intimate portraits of mothers and their children, Melchers' oeuvre is inflected with a dynamic range of influences, including the Barbizon School, Impressionism, and Symbolism.

Piece from John Mendelsohn: The Passing Paintings

John Mendelsohn: The Passing Paintings

Thomas J. Walsh Art Gallery

December 2, 2014 - February 27, 2015

New York-based ‌artist John Mendelsohn is best known for his remarkable work with color and pattern. This exhibition features 48 paintings from Passing, a cycle of paintings created by the artist during a 12-month period from 2010 to 2011. The cycle is comprised of five series of paintings -- titled Turbulence, Crosswalk, Vanishing, Flayed, and Paradise -- and while each series has its own character, each is also involved in states of change. The artist has written about these works that "Instability and dissolution appear in many forms; absence and presence are in continual dialogue.

The paint itself is treated physically: combed, marbleized, wiped off, and scraped away. As the paintings break down, they open up, revealing the surface and space beyond." The entire Passing cycle may be viewed online here. Mendelsohn's work in the Walsh Gallery will be complemented by seven more of his works, including a selection from the Six Movements series, which are on view in the lobby of the Quick Center for the Arts, adjacent to the gallery.

Piece from Rick Shaefer:

Rick Shaefer: Rendering Nature

The Bellarmine Museum

September 18, 2014 - February 7, 2015

Rick Shaefer: Rendering Nature features the work of Connecticut-based artist Rick Shaefer, who is best known for his remarkable works in charcoal on vellum. Inspired directly by the textural richness of the natural world as well as the communicative power of "the line," Shaefer gravitates towards subjects that are as visually compelling as they are intellectually engaging.

Piece from Not Ready to Make Nice: The Guerrilla Girls in the Artworld and Beyond

Not Ready to Make Nice: The Guerrilla Girls in the Artworld and Beyond

Thomas J. Walsh Gallery

September 4 - November 14, 2014

Not Ready to Make Nice, a major presentation of the Guerrilla Girls, illuminates and contextualizes the important historical and ongoing work of these highly original, provocative, and influential artists who champion feminism and social change. The Guerrilla Girls have been powerfully and consistently active since first breaking onto the art scene in 1985.

Piece from Jason Peters: Refraction

Jason Peters: Refraction

Thomas J. Walsh Art Gallery

April 24 - June 27, 2014

Fascinated by the destabilization of perception, Jason Peters creates illusory spaces and alternative realities through his work. Intentionally designed to trigger a cathartic sense of the sublime in his viewers, the artist amasses vast quantities of discarded objects from everyday life that he then reconfigures in surprisingly unexpected ways.

Piece from La Ragnatela/The Spiderweb: Works by Giampaolo Seguso from the Corning Museum of Glass

La Ragnatela/The Spiderweb: Works by Giampaolo Seguso from the Corning Museum of Glass

The Bellarmine Museum

April 10 - June 13, 2014

La Ragnatela (or "spider web") refers to the characteristically long, thin, lines and complex patterns of filigrana vases. A glass-making technique that was invented in 1527, filigrana consists of preparing parallel glass canes that are then melted into a mass of incandescent glass, creating perfect geometrical shapes in net and spiral-lie patterns.

Piece from Reflections and Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940

Reflections and Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940

Thomas J. Walsh Art Gallery

January 23 - April 4, 2014

Reflections & Undercurrents features prints by the German-born American painter and etcher Ernest Roth (1879-1964) and his contemporaries, including John Taylor Arms (1887-1953) and Joseph Pennell (1860-1926), exploring the connections between the art they made in early 20th-century Venice.

Piece from In the Wake of the Butterfly: James Abbott McNeill Whistler and His Circle in Venice

In the Wake of the Butterfly: James Abbott McNeill Whistler and His Circle in Venice

The Bellarmine Museum

January 23 - April 4, 2014

As a mature artist, the great American expatriate James Abbott McNeill Whistler (1834-1903) began using a stylized butterfly in place of a signature to maximize his work's aesthetic qualities. Whistler's concern with an immersive visual experience is highlighted in this focus show, which features works on paper from his Venetian series together with related images by Frank Duveneck (1848-1919), Otto Henry Bacher (1856-1909), Mortimer Luddington Menpes (1855-1938), Joseph Pennell (1860-1926), and Clifford Isaac Addams (1876-1942).

Painting from the Arnold & Seena Davis Collection

The Collectors' Cabinet: Renaissance and Baroque Masterworks from the Arnold & Seena Davis Collection

The Bellarmine Museum

October 10, 2013 - January 10, 2014

In the late Renaissance and Baroque periods in Europe, discerning burghers and aristocrats assembled encyclopedic collections of fine art objects, creating unique kunstkammern, or Cabinets of Arts. Arnold and Seena Davis have followed in this rich tradition, acquiring unique and beautiful works with a discerning eye and a curious intellect.

Piece from Fire and Earth: Native American Pottery from New Mexican Pueblos

Fire and Earth: Native American Pottery from New Mexican Pueblos

The Bellarmine Museum

June 27 - October 3, 2013

First created nearly two millennia ago, Pueblo pottery is remarkable not only for its formal beauty but also for its cultural importance. Centuries after the Anasazi (or ancestral Pueblo people) first began making potted vessels from coils of tempered earth - rubbed smooth and painted with local clays, minerals, and vegetal pigments - their successors continue to do the same. An ancestral whisper, this knowledge was (and is) passed down from artist to artist, generation after generation, ensuring the survival of both ancient pottery techniques and the cultures that birthed them. Herein lies the beauty of objects whose value is truly much more than skin deep: They embody their creators' heritage.

Piece from Excavation: Recent Photographs by Stanley Greenberg

Excavation: Recent Photographs by Stanley Greenberg

The Bellarmine Museum

April 12 - June 14, 2013

[T]he city did not grow, as the economists taught, by quasi-natural laws, but was a willed artifact, a human construct in which many conscious and unconscious factors played their part ... [t]he principal document and witness to this process [is] the physical fabric of the city.
- Joseph Rykwert

As the eminent architectural historian Joseph Rykwert so eloquently reminds us in his The Seduction of Place: The History and Future of the City (2002), cities are wholly man-made constructs.

Piece from Colleen Browning: The Early Works

Colleen Browning: The Early Works

The Bellarmine Museum

January 24 - March 24, 2013

In collaboration with the Thomas J. Walsh Art Gallery

Remembered for her capacity to endow scenes from every day life with touches of "magic realism," painter Colleen Browning (1929-2003) is the focus of this monographic exhibition, mounted jointly with Fairfield University's Walsh Art Gallery. The Bellarmine Museum showcases Browning's early works on paper, together with several signature oils, while the Walsh displays some of her strongest post-1960s paintings.

Piece from The Essential Line: Drawings from the Dahesh Museum of Art

The Essential Line: Drawings from the Dahesh Museum of Art

The Bellarmine Museum

October 11, 2012 - January 18, 2013

This exhibition of works on loan from the Dahesh Museum of Art celebrates the act of drawing in the 19th century, when the creation of preliminary works on paper was the cornerstone of proper academic training and art-making. Embracing a broad range of subjects, the stunning pieces in this show are united by their creators' emphases on careful draftsmanship and extraordinary skills. Highlights include drawings by Thomas Couture (French, 1815-1879), Rosa Bonheur (French, 1822-1899), Frederic Lord Leighton (English, 1830-1896), Lawrence Alma-Tadema (British (born in the Netherlands), 1836-1912), and Alexandre Cabanel (French, 1823-1889).

Piece from ekphrasis ii: sarah z. sleeper (mfa '12)

ekphrasis ii: sarah z. sleeper (mfa '12)

The Bellarmine Museum

July 11 - September 28, 2012

ek•phra•sis. n.'ek-frə-səs\. A literary description of or commentary on a visual work of art.

Holding the ancient technique of responding through the written word to visual works of art ("ekphrasis") at its core, this show provides an exciting platform for graduate students in Fairfield University's MFA in Creative Writing program. This year Sarah Sleeper (MFA '12) responds in prose to four works by Everett Raymond Kinstler, four works on loan from the Metropolitan Museum of Art and one piece in the museum's permanent collection.

Piece from Everett Raymond Kinstler: Pulps to Portraits

Everett Raymond Kinstler: Pulps to Portraits

The Bellarmine Museum

June 14 - September 28, 2012

Painter Everett Raymond Kinstler (b. 1926) sees the world in hues. Unfettered by conventional color designations, Kinstler paints his subjects as he perceives them, rather than as he knows them to be. His shadows, then, are neither brown nor black but instead pulse in shades of indigo and violet, while the artist's highlights dance unabashedly up and down the chromatic spectrum, from dusky peach to the palest of blues.

Piece from Immortality of the Spirit: Chinese Funerary Art from the Han & Tang Dynasties

Immortality of the Spirit: Chinese Funerary Art from the Han & Tang Dynasties

The Bellarmine Museum

April 12, 2012 - June 6, 2012

For the ancient Chinese, life in the afterworld was as important as one's existence on earth. For this reason the dead were laid to rest in tombs intended to replicate earthly palaces in all their splendor. They were also adequately provisioned by surviving family members with mingqi, or "spirit articles," for the deceased's journey into the afterlife.

Piece from From Italy to America: Photographs of Anthony Riccio

From Italy to America: Photographs of Anthony Riccio

The Bellarmine Museum

February 1, 2012 - March 30, 2012

For Anthony Riccio (b. 1952), a picture truly is worth a thousand words. For the past four decades, the New Haven, Connecticut, native has documented, in word and image, the experiences of Italians and Italian-Americans not only in Southern Italy - from Campania to Sicily - but also in two culturally rich immigrant communities in America, Boston's North End and New Haven's "Little Italy."

Piece from James Prosek: Un-Natural History

James Prosek: Un-Natural History

The Bellarmine Museum

October 21, 2011 - January 27, 2012

Artist, writer, and activist James Prosek made his authorial debut at age nineteen, when he was still an undergraduate at Yale University, with Trout: an Illustrated History (Alfred A. Knopf, 1996).

Piece from ekphrasis i: jeanne delarm-neri (mfa '12)

ekphrasis i: jeanne delarm-neri (mfa '12)

The Bellarmine Museum

June 15 - September 15, 2011

ek•phra•sis.n.'ek-frə-səs\. A literary description of or commentary on a visual work of art.

Poet and prose writer Jeanne DeLarm-Neri has created a series of new poems that respond to works in the Bellarmine Museum of Art's Permanent Collection. From a delicate 14th-century French ivory diptych to casts after masterworks from the Acropolis frieze, DeLarm-Neri engages with a broad cross-section of objects in the museum. In each instance, her writings give voice to a very personal aesthetic experience, which in turn provides visitors to the BMA with a new point of departure for their own interpretations and musings. DeLarm-Neri's poems will be displayed in the galleries next to the objects they address. They will also be posted on the BMA's website together with images of the relevant works.

Piece from Kells to Clonmacnoise: Medieval Irish Art in Context

Kells to Clonmacnoise: Medieval Irish Art in Context

The Bellarmine Museum

April 18 - May 24, 2011

This exhibition highlights the University's facsimile of the Book of Kells, and four reproductions of Irish medieval metalwork on loan from the Metropolitan Museum of Art's Department of Medieval Art and The Cloisters. The Book of Kells is a lavishly decorated Irish gospel book, which contains colorful decorations on each calligraphic page, including several full page illustrations.

Piece from Norman Gorbaty: Works in Dialogue

Norman Gorbaty: Works in Dialogue

The Bellarmine Museum

January 27 - March 27, 2011

Over the span of his fifty year career as a graphic artist, Norman Gorbaty has produced a formidable body of work, including sculptures, paintings, and works on paper. A master of abstract empiricism, the artist's work is a testament to his pursuit of pure forms through observation and movement. Using emptiness as a symbol and minimalism as a style, Gorbaty transforms spaces into an evocative blend of mystery, freshness, and beauty. Works in Dialogue will run in tandem with Gorbaty's show of Judaica at the Thomas J. Walsh Gallery (To Honor My People), and will highlight the artist's smaller works on paper and his carved "stele."

Piece from  New Plaster Casts from the Acropolis Museum and Photographs by Socratis Mavrommatis

Gifts from Athens: New Plaster Casts from the Acropolis Museum and Photographs by Socratis Mavrommatis

The Bellarmine Museum

November 2 - December 17, 2010

This exhibition highlighted photographs by Socratis Mavrommatis, a prominent Greek photographer who gifted 23 works to the university in 2008, and 8 new plaster casts, given by the Acropolis Museum in Athens to Fairfield in July 2010. Mavrommatis's work focuses on the Acropolis, with an emphasis on the beauty and changing nature of monuments and the Athenian landscape. The plaster casts, in contrast, are evidence of the grandeur and monumentality of the Parthenon and other Acropolis sculptures, and remain symbols of the art and mythology of Ancient Greece. This show also explored Athenian "gifts" in the broader sense - that is, of antiquity's enduring legacy in the development and evolution of Western civilization's multi-faceted culture.

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