Current Exhibitions

The leaves installed on the Bellarmine lawn are on loan to the Fairfield University Art Museum for the next year from the American artist Alan Sonfist (b. 1946), best known as a pioneer of the Land or Earth Art movement. These four larger-than-life aluminum sculptures of leaves were created in 2011 and represent several of New England’s most beloved native trees: the American Beech, the American Chestnut, the Burr Oak, and the Sugar Maple. The sculpted leaves act as reminders to honor and protect the trees, and as a warning that failure to do so could result in their extinction.

The museum is working with the Biology Department, the Environmental Studies Program and the artist, around a series of programs to be presented in the spring of 2022 to highlight these sculptures, along with climate change and endangered species.

This exhibition features posters created by both men and women worldwide to celebrate and acknowledge the vital role that all citizens play in protecting and promoting human rights while challenging gender inequality and stereotypes, advancing reproductive and sexual rights, protecting women and girls against brutality, and promoting women’s empowerment, education, and participation in society. The posters argue for the empowerment of women, the achievement of equality between women and men, and the elimination of discrimination against women and girls.

Organized and curated by Elizabeth Resnick, Professor Emerita, Graphic Design, Massachusetts College of Art and Design, Boston. Co-curated by Fairfield University faculty Rachelle Brunn-Bevel, PhD, Liz Hohl, PhD, Johanna Garvey, PhD, and Anna Lawrence, PhD in collaboration with museum staff.

Norma Minkowitz: Body to Soul is a solo exhibition surveying the artist’s four-decade engagement with the physical and symbolic properties of thread. Minkowitz reinvents traditional needlework by crocheting fantastical forms, coating them in resin and shellac to create rigid sculptures and hangings. The delicate, mesh-like surfaces of her artworks break down oppositions between soft and hard, inside and outside, body and soul.

The poetic title Body to Soul is borrowed from just one of the sculptures that will be on view, but it is a broader theme that reverberates across the exhibition’s selection of over thirty vessels, sculptures, wall hangings, wearables, and works on paper – including never-before-seen examples coming from the artist’s studio.

Norma Minkowitz lives and works in Connecticut. Her work is represented in private and public collections across the United States and internationally. She is unique among fiber artists creating hard sculptures from soft materials, and for using thread to invoke universal themes of mortality, memory, nature, and writing. The exhibition is guest curated by Sarah Parrish PhD., Assistant Professor of Art History at Plymouth State University, New Hampshire.

Image: Norma Minkowitz, Baggage, 2007, fiber, paint, resin, courtesy of the artist