Arthur Szyk’s compelling political cartoons placed Nazi genocide, tyranny, and antisemitism on the covers of America’s most popular magazines during World War II. Today, his pioneering examples of graphic storytelling have renewed relevance in a new exhibition at the Fairfield University Art Museum.

This is the largest exhibition of Szyk’s work in the Northeast in over 50 years. 

In Real Times. Arthur Szyk: Artist and Soldier for Human Rights will be open to the public September 29 through December 16, 2023 at Fairfield University Art Museum’s Bellarmine Hall Galleries, with an adjunct exhibition entitled Szyk: The Interactive Experience opening on the same date in the Museum’s Walsh Gallery. Szyk was one of the first public figures to take immediate, direct action in bringing attention to the Holocaust as it was being perpetrated—and did it uniquely through his artistic medium. The miniature scale of his pieces stands in striking juxtaposition to the magnitude of the themes they confronted and the human rights violations they exposed.

In Real Times. Arthur Szyk: Artist and Soldier for Human Rights is curated by Francesco Spagnolo, PhD, curator of The Magnes Collection of Jewish Art and Life at the University of California, Berkeley. The acquisition of the Taube Family Arthur Szyk Collection (2017), and research for this exhibition were made possible by a generous gift from Taube Philanthropies. The exhibition opened at the Magnes in May 2021, and was later on view at the National World War II Museum in New Orleans before coming to the Fairfield University Art Museum, the exclusive exhibition venue in the Northeast.

At the Fairfield University Art Museum, the exhibition is coordinated by Philip Eliasoph, PhD, professor of art history and visual culture, and special assistant to the President for arts and culture, and is co-sponsored by the Bennett Center for Judaic Studies, the Center for Jewish History, NY, and the Jewish Federation of Greater Fairfield County. 

A Legacy of Civic Engagement

The new exhibition displays more than 50 original works that Szyk created between 1926 and 1951. The works are organized into six sections focused on various aspects of human rights:

• Human Rights and their Collapse introduces viewers to Szyk’s world with a timeline showing his life in the context of the progressive failure of European democracies and the human rights and national rights movements. A selection of Szyk’s works begin to show his lifelong focus on freedom and the dangers of tyranny and totalitarianism.
• The Rights of Global Refugees explores Szyk’s deep concern for refugees like himself and their lack of the legal protections of citizenship. This section features depictions of refugees in many contexts, from cartoons of innocent children declared enemies of the Third Reich to Biblical narratives and a self-portrait included in Szyk’s ode to Canada.
• The Right to Resist highlights the role of resistance in preserving human rights, with Szyk’s paintings of the Warsaw Ghetto Uprising and his internationally acclaimed illustration of “The Statute of Kalisz.” The statute, which granted Jews legal rights and liberties in Poland in medieval times, was displayed in London in 1933 to denounce antisemitism in Nazi Germany.
• The Rights of Nationhood further explores Szyk’s belief that human rights are inextricably tied to citizenship, featuring designs he created for countries and organizations. These detailed illustrations became letterheads and stamps and often found their way into his political cartoons.
• The Right to Expose: Executioners at Work includes many of Szyk’s most powerful pieces, which depicted the crimes of Axis leaders and Nazis during the Holocaust. This portion of the exhibition also explores a parallel to Charlie Chaplin’s characters in his 1940 movie “The Great Dictator.”
• The Right to America highlights Szyk’s appreciation of his new home country and the multi-ethnic fabric of the U.S. Army, positioning it in direct contrast to Nazi Aryan supremacy. The work in this section reflects Szyk’s objection to racial discrimination and the organizations that perpetuate it, such as the Ku Klux Klan.

Szyk: The Interactive Experience Presents Miniatures through a New Lens.

The full exhibition has been digitized, and visitors will have the opportunity to explore Szyk’s miniatures in high resolution on a monitor within the main exhibition space. Szyk used motifs drawn from the Bible, history, politics, and culture to create searing artistic commentary. He addressed a diverse range of subjects including the U.S. War of Independence, the Holocaust, World War II, and racial discrimination and Black civil rights. Visitors can pause the slideshow and zoom in on any image to reveal unexpected details and extraordinary craftsmanship.

At an interactive workstation in the Walsh Gallery, visitors will be encouraged to create new cartoons by repurposing elements of Szyk’s artworks. Visitors are encouraged to examine the characters and motifs individually and then recombine them to make their own political cartoons. New creations can be saved and instantly published online, in real time, giving Szyk’s compelling art an even wider audience. The screens of both workstation tablets will also be projected onto the walls of the gallery for all to see.

Other features of Szyk: The Interactive Experience will include a screening room with films about Szyk’s art and life, a reading room, an art-making space, and an ambient soundtrack of American music from the era of Szyk’s prominence in the late 30s and 40s.

About the Artist

Born into a middle-class Polish Jewish family in Lodz in 1894, Arthur Szyk led a life framed by two world wars, the rise of totalitarianism in Europe, and the birth of the State of Israel, before his death in New Canaan, Conn. in 1951. Much of his work centered around these historical experiences. Szyk was raised in Poland, educated in France, traveled to the Middle East and North Africa, and lived in London and Canada before moving to New York in 1940.

Read more about Arthur Szyk in Fairfield University Magazine: Soldier in Art.

At Fairfield University, the exhibition is made possible thanks to generous sponsors including Connecticut Humanities, Aquarion Water Company, Fiona Garland, the Maximilian E. & Marion O. Hoffman Foundation, John Meditz ’70, Rick & Debi Smilow on behalf of the Smilow Foundation, the Sy Syms Foundation, Terra Foundation for American Art, the Delamar Hotel, and Tadbik Inc. of Israel and NJ, and media sponsors WSHU, The Algemeiner, and Westport Journal, as well as community partners including the Pequot Library, New Canaan Historical Society, and the Fairfield Museum and History Center.

Exhibition Programming

September 28
Opening Night Lecture and Reception | Lecture 5 p.m. | Reception 6-8 p.m.

Join us to celebrate the opening of this landmark exhibition.

Introduction by Irvin Ungar (curator emeritus, The Arthur Szyk Society), and lecture by Philip Eliasoph, PhD, professor, Art History & Visual Culture, and special assistant to the President for Arts and Culture. The lecture will be held in the Dolan School of Business Event Space with streaming via Vimeo, and the reception will be in Bellarmine Hall's Great Hall. Registration required.

October 4
Symposium Keynote Address by Stephen Luckert, PhD: "Depicting Evil: Arthur Szyk’s Anti-Nazi Caricatures" | 5 p.m.
Dr. Luckert, senior program curator, Levine Institute for Holocaust Education, United States Holocaust Memorial Museum will offer the symposium keynote address in the Kelley Center Presentation Room with streaming on thequicklive.com.

October 5
Academic Symposium: "Arthur Szyk: Art - Propaganda - Memory" | 10 a.m. to 5 p.m.
Join leading scholars and curators from across the country to hear their perspectives on Szyk’s impact on art, politics, and culture. Speakers include Glenn Dynner, PhD; Samuel D. Gruber, PhD; Wendy Lower, PhD; Jonathan Petropoulos, PhD; Gavriel D. Rosenfeld, PhD; Ori Z. Soltes, PhD; Francesco Spagnolo, PhD; and Ellen M. Umansky, PhD.
The academic symposium will be held in the Dogwood Room of the Barone Campus Center, with streaming on thequicklive.com.

October 12
Artist’s Talk With Sean Kelly: "Elephants, Donkeys & Twitter Birds: How Cartoon Symbols Have Shaped Politics" | 5 p.m.
Sean Kelly is known for his award-winning illustration, visual journalism, and political commentary, as seen in the arts, business, features, and op-ed pages of major American newspapers. The artist's talk will take place in the Diffley Board Room of Bellarmine Hall, with streaming on thequicklive.com.

October 14
Family Day: Session 1 | 12:30-4 p.m. 
Families and children will explore the “cartooning” art form with arts & crafts suitable for children ages 4-10, in the museum classroom and Bellarmine Hall Galleries, Bellarmine Hall.

October 17
Art Spiegelman: “Maus and the Power of Illustration” | Open VISIONS Forum and the College of Arts and Sciences Common Ground Series | 7:30 p.m.
Presented in collaboration with the Bennett Center for Judaic Studies, the Regina A. Quick Center for the Arts, and the Jewish Federation of Greater Fairfield County, this lecture will take place at the Quick Center. Tickets are required and can be purchased at quickcenter.com.

October 19
Deborah Varat, PhD: "How Arthur Szyk's Cover Art for Collier's Magazine Helped Americans Visualize the Evil of Fascism" | 5 p.m.
Dr. Varat, professor of art history, and director of the Public Humanities Initiative at Southern New Hampshire University will do a deep dive on Szyk’s Collier’s magazine Covers. This lecture will be held in the Diffley Board Room of Bellarmine Hall, with streaming on thequicklive.com.

October 25
Donald Kuspit, PhD: "Mastering Evil: Arthur Szyk’s Style" | 12 p.m.
Donald Kuspit, distinguished professor emeritus of Art History and Philosophy at Stony Brook University will offer a virtual lecture, livestreamed on thequicklive.com.

November 1
Arnie Bernstein: "Swastika Nation: Fritz Kuhn and the Rise and Fall of the German-American Bund" | 5 p.m.
Author Arnie Bernstein explores on the German-American Bund and their efforts to build a training camp in Southbury, Conn. His virtual lecture will be livestreamed on thequicklive.com.

November 11
Family Day: Session 2 | 12:30-4 p.m. 
Families and children will explore the “cartooning” art form with arts & crafts suitable for children ages 4-10, in the museum classroom and Bellarmine Hall Galleries, Bellarmine Hall. (This is a repeat of the October 14 event, to accommodate demand.)