Visiting Writers & Faculty

In 2004, I founded my first literary outreach initiative in Charleston, SC, serving Burke High School, Charleston’s only non-magnet public high school, with a poets in the schools program that went on for a decade. I have since launched the Poetry in Communities program, which serves communities hit by sudden or systemic violence and is supported by Fairfield University’s College of Arts and Sciences and Center for Faith and Public Life. Poetry projects through this program have taken place in Bridgeport and Newtown, CT, as well as in Normandy, MI - Michael Brown’s home town - Charleston, NC and New Orleans, LA. This outreach work has affected my own teaching and writing, and my forthcoming collection of essays, The Nail in the Tree: On Art, Parenting, and Violence, examines my years living in Sandy Hook, CT, with my sons in the immediate aftermath of the shooting at Sandy Hook School, and takes up the fraught relationship between artistic production and sometimes flawed aspects meaning-making that can accompany the experience of violence.

Writers can and must take up the difficult subjects; my work attempts to discover my own difficult subjects and to address them, while my teaching assists students in the discernment of theirs. The work of Rainer Maria Rilke tells us that deep observation of the world should lead to action. The experience of writing is the experience of acting on behalf of others. His dictum, “you must change your life” rings in my ears as I teach and write from a place of social practice, justice, and action.

My nonfiction work consistently explores the relationship between the personal, the political, and social context. My first book, Opa Nobody (2008), reconstructs a life story of my grandfather and great-grandfather, who were socialists in Germany and took part in labor movement work as well as in an anti-Nazi militia before the Nazis took power. I go to their life stories in order to understand my own struggles in political activism, setting up an imagined multi-generational dialogue while exploring German social movement history. My second book, Cover Me: A Health Insurance Memoir (2010), tells the story of an era in which I and many of my friends as young mothers did not have health insurance, and the ways that crisis shaped our choices and our views of our future. My third book of creative nonfiction, Pain Woman Takes Your Keys and Other Essays from a Nervous System (2017), delves into the experience of chronic pain, political views of disability, medical treatment, feminist views of the body in pain, and healthcare access for women.

When I work with students, I aim to encourage the larger and unasked questions that spark connection between the writer’s own life and the world we share. As a journalist, I have written frequently on topics such as healthcare access, city and regional planning, and political organizing.

I grew up with an early awareness of social justice. My mother was haunted by the loss of her own mother, who was dark skinned and died at 28 of cancer after struggling to receive medical treatment in the deep south. This life-long history in believing in social justice, beginning as a child through my parents’ engagement in the Civil Rights Movement, continued when I attended a women’s college, which was a key link in the rise of the feminist movement. All my novels express this social awareness. My first novel was praised by a feminist scholar in the New York Times for its honest portrayal of gender inequality. My fourth novel, Centerville, set in in 1968, uses that period’s social awakening as a backdrop for the upheaval of a town changed by violence. The themes, including racial discrimination, were influenced by Martin Luther King’s sermons, which led me to understand that social justice is a moral imperative, dictated by what we hold as the divine in life.

While teaching at Mt. Holyoke, an all-women’s college devoted to social justice, I developed a writing course focused on understanding the self as body and as voice, seen through the lens of gender, race, and culture. In all my classes, I taught a large percentage of international students, writing about political and social repression, including the many restrictions faced by women around the world. While teaching at Fairfield, I mentored a student whose third semester project researched the Rodney King incident, as well as two other students whose theses showed what happens when racial discrimination dominates because social justice doesn’t exist. I am deeply committed to furthering my own awareness of the impact of social justice in our world by learning from those I teach and through my spiritual practices.

I believe that, no matter how the definition of social justice changes during any particular era, it’s essential for writers to fight human ignorance and discrimination in their books. In Saving Troy: A Year with Paramedics and Firefighters in a Battered City, I chronicled the efforts of professionals to rescue a diverse cross-section of a small-city population, one by one; in The Call of Nursing, I was fortunate enough to hear and present the stories of people who are on the front lines of healing, but who are often hidden in plain sight; in my current project, Metrofix, I’m examining the ways in which a failing company town has tried to revitalize itself, and in the process, has had to struggle with which of its citizens have been left out of that process, and why. And in my poetry and fiction – in These Upraised Hands, in Roxa, and in the other books – I have always been attracted by people who were, in some way, disenfranchised or oppressed or simply isolated, and worked to give those people voices, and stories, that brought them to life.

In my teaching for Fairfield’s MFA in Writing, once again, I have been lucky to mentor students whose own writing offered us an intimate look into their own difficulties and achievements – as well as students who chose to teach in prisons or to start after-school writing classes for inner-city, at-risk children, for example – but more often than not were pursuing projects that simply set out to find compassionate ways to make a difference for other people. For me, these attempts to honor and respect everyone are the pragmatic definitions of social justice today.

Genres Available to Mentor

TV writing, Screenplay, plays, fiction

Brief Bio

Sharbari Ahmed, Author, Screenwriter, TedX Speaker, Educator.

She was on the writing team for Season One of the TV Series, “Quantico” on ABC. She adapted the middle grade novel, Rickshaw Girl by Mitali Bose Perkins for the screen, due out in 2020 by Sleeperwave Films. The screen adaptation of her stage play Raisins not Virgins was part of the Tribeca All Access program at the Tribeca Film Festival and nominated for best original screenplay. She is a writer on a Viacom /Paramount show called Kriya Karam out in early 2024.

Sharbari is the author of a novel, Dust Under Her Feet, 2019, and a short story collection, The Ocean of Mrs. Nagai: Stories, 2013. Her short story collection The Strangest of Fruit was published Cheek Press in August 2025.

Her play Raisins Not Virgins: A Romantic Comedy About Jihad will be produced Off Broadway as part of New York Theater Workshop’s Next Door 2021 season.

Her short fiction has appeared in The Gettysburg Review, The Asian Pacific American Journal, Catamaran, Caravan Magazine, Inroads, Wasafiri, Painted Bride Quarterly, Roanoke Review, The Mint Lounge and New England Review. She presented a TedX talk: Between the Kabah Sharif and A Hard Place in April of 2018.

She is a Tribeca Film Institute Fellow and a Storyknife Writers Residency Fellow and is on the faculty of the MFA programs at Manhattanville College, and Fairfield University, and is Artist in Residence in the Film and Television MA Program at Sacred Heart University.

Genres Available to Mentor

Dramatic Writing

Brief Bio

Kathleen Clark's plays, Southern Comforts and Secrets of a Soccer Mom, were produced off-Broadway and are regularly produced in regional theatres throughout the country and Canada. Her new play, Good Morning, Good Mother, was read at the Byrdcliff Arts Guild. Her plays, What We May Be and In The Mood, were produced at the Berkshire Theatre Group. Let's Live A Little and In The Mood were produced at the Invisible Theatre in Tucson. She was twice been selected to attend the Eugene O'Neill Playwrights Conference with her plays, Banner and Southern Comforts. Her plays have been developed at the Manhattan Theatre Club, Williamstown Theatre Festival, New York Stage and Film and L.A. Theatre Works. Clark was a finalist for the Susan Smith Blackburn Award and a recipient of the New Jersey Council of the Arts Playwriting Fellowship. For more detailed information go to kathleenclarkplaywright.com.

Genres Available to Mentor

Fiction and nonfiction, children’s and YA literature

Brief Bio

Susan Muaddi Darraj is an award-winning writer of books for adults and children. She won an American Book Award, two Arab American Book Awards, and a Maryland State Arts Council Independent Artists Award. In 2018, she was named a USA Artists Ford Fellow.

Susan Muaddi Darraj’s short story collection, A Curious Land: Stories from Home, was named the winner of the AWP Grace Paley Prize for Short Fiction, judged by Jaime Manrique. It also won the 2016 Arab American Book Award, a 2016 American Book Award, and was shortlisted for a Palestine Book Award. Her previous short story collection, The Inheritance of Exile, was published in 2007 by University of Notre Dame Press. For children, she has written numerous YA biographies, as well as the Farah Rocks chapter book series, the first to feature an Arab American protagonist. She was also head writer of the Spotify Original podcast, Arabian Nights, for young listeners.

Her new novel, Behind You is the Sea, was published in January 2024 by HarperVia. It received praise from The New York Times, The San Francisco Chronicle, and Ms. Magazine, and it was named a Best Book of 2024 by The New Yorker and Apple Books.

Brief Bio

Carol Ann Davis is a poet, essayist, and author of the poetry collections Psalm (2007) and Atlas Hour (2011), both from Tupelo Press. Songbird: Poems, is forthcoming in January 2026 from Wesleyan University Press. Her third book, The Nail in the Tree: Essays on Art, Violence, and Childhood, was published by Tupelo Press in March, 2020. The daughter of one of the NASA engineers who returned the Apollo 13 crew from the moon, she grew up on the east coast of Florida the youngest of seven children, then studied poetry at Vassar College and the University of Massachusetts, Amherst. A former longtime editor of the literary journal Crazyhorse, she is Professor of English at Fairfield University, where she directs the MFA Program and is founding director of Poetry in Communities, an initiative that brings writing workshops to communities hit by sudden or systemic violence. She lives in Newtown, CT, with her husband and two sons.

Genres Available to Mentor

Poetry, editing, cultural journalism and publishing

Brief Bio

Poet and journalist celeste doaks is the author of Cornrows and Cornfields, and editor of the poetry anthology Not Without Our Laughter. Her chapbook, American Herstory was the first-place winner in Backbone Press’s 2018 chapbook contest. It contains poems about former First Lady Michelle Obama and the artwork she chose for the White House. Her poems, reviews, and cultural essays have appeared in multiple on-line and print publications including Ms. Magazine, The Rumpus, The Millions, Huffington Post, Chicago Quarterly Review, Asheville Poetry Review, and many others. She describes herself as a writer with a Midwest heart and East Coast pacing. She currently lives in Baltimore with her husband and too many house plants.

Genres Available to Mentor

Fiction, Nonfiction

Brief Bio

Matt Gallagher is a US Army veteran and the author of four books, including the novels Daybreak and Youngblood, a finalist for the Dayton Literary Peace Prize. His memoir Kaboom: Embracing the Suck in a Savage Little War emerged from the blog he kept during his scout platoon’s deployment to Iraq.

Matt’s work has appeared in Esquire, ESPN, The New York Times, The Paris Review, and Wired, among other places. A graduate of Wake Forest and Columbia, he is the recipient of the Tulsa Artist Fellowship, a Bread Loaf Writers’ Conference Fellowship, a Sewanee Writers’ Conference Fellowship, and was selected as the 2022 Hemingway-Pfeiffer Museum Writer-in-Residence. He lives with his family in Colorado Springs, Colorado.

Genres Available to Mentor

Nonfiction

Brief Bio

Sonya Huber is the author of seven books of nonfiction, including Voice First: A Writer’s Manifesto, Supremely Tiny Acts: A Memoir in a Day as well as three other works of creative nonfiction: Pain Woman Takes Your Keys and Other Essays from a Nervous System, Opa Nobody, and Cover Me: A Health Insurance Memoir. Her other books include The Evolution of Hillary Rodham Clinton and a textbook, The Backwards Research Guide for Writers. Her work has appeared in many outlets including The New York Times, Creative Nonfiction, Brevity, LitHub, The Chronicle of Higher Education, The Atlantic, The Washington Post, Washington Post Magazine, The Rumpus, O: The Oprah Magazine, The Southern Illinois Review, Psychology Today, Fourth Genre, The Florida Review, The New Ohio Review, Passages North, Puerto del Sol.

Brief Bio

Nalini Jones is the author of a story collection, What You Call Winter, and a forthcoming novel, The Unbroken Coast (Knopf 2025). Her work has appeared in One Story, Ploughshares, Guernica, and The New York Times, among others, and she has been awarded an O. Henry Prize, a Pushcart Prize, and a National Endowment of the Arts literature fellowship. She currently teaches writing at Fairfield University; past appointments have been at Columbia University, Williams College, Yale University, and the Arcadia Center for Hellenic, Mediterranean, and Balkan Studies in Greece.

Genres Available to Mentor

Fiction, Nonfiction

Brief Bio

Author of The Calligrapher's Daughter, winner of 2009 Borders Original Voices Award, shortlisted for 2010 Dayton Literary Peace Prize, Critic’s Pick and Best Historical Novel of 2009 by The Washington Post, and an Amazon UK #3 Bestseller. Author of The Kinship of Secrets, Amazon Literary Fiction Best Book of the Month (Nov 2018), Amazon #1 pick for novels about the Korean War, Library Reads best of November pick, and a Booklist best Audiobook of the Month. Several short stories and essays have been published in various journals and anthologies. She was a judge for the 2021 PEN/Faulkner Fiction Award, a U.S. Embassy in Seoul, South Korea visiting author, a three-time Fellow for the DC Council on Arts & Humanities, and a Fellow at Hedgebrook, Yaddo, MacDowell, and many other artists’ residencies.

Genres Available to Mentor

Fiction, Nonfiction

Brief Bio

Phil Klay is a veteran of the U.S. Marine Corps. His short story collection Redeployment won the 2014 National Book Award for Fiction and the National Book Critics' Circle John Leonard Prize for best debut work in any genre, and was selected as one of the 10 Best Books of 2014 by The New York Times. His nonfiction work won the George W. Hunt, S.J., Prize for Journalism, Arts & Letters in the category of Cultural & Historical Criticism in 2018. His writing has appeared in The New York Times, The Washington Post, The Wall Street Journal, The Atlantic, The New Yorker, and the Brookings Institution's Brookings Essay series. His debut novel Missionaries, released in October 2020, was selected as a best book of the year by both The Wall Street Journal and by former President Barack Obama. His collection of essays, Uncertain Ground: Citizenship in an Age of Endless, Invisible War, was released in May of 2022 with Penguin Press.

Genres Available to Mentor

Fiction, Poetry

Brief Bio

Karen Osborn is the author of five novels: Patchwork, winner of the New York Times Notable Book of the Year Award, Between Earth and Sky, The River Road, Centerville, which won the 2013 Independent Publishers Gold Award for Fiction, and The Music Book (2020). She has published poetry and short stories nationally in journals such as Clapboard House, The Southern Review, Poet Lore, Kansas Quarterly, The Centennial Review, and The Wisconsin Review, and her books have been reviewed by The New York Times, USA Today, The Washington Post, The Chicago Tribune, The Cleveland Plain Dealer, The Seattle Stranger, The Richmond Times, Ladies Home Journal, and The Atlanta Journal Constitution. The New York Times has said she “renders rural dialect into something close to poetry,” and The Washington Post has said she makes “an extraordinary effort to engage the American condition as we find it now, to write down what happens in a given situation, or what might happen, and adroitly slip away, leaving the reader to decide the meaning—which has nothing to do with arcane literary allusions, but everything to do with the state of the human soul.” Karen taught for a number of years at Mt. Holyoke College and has served as the Distinguished Fiction Writer in Bowling Green’s MFA Program and the Louis D. Rubin Jr. Writer-in-Residence at Hollins University, where she taught in their MFA Program. She teaches regularly in Fairfield University’s MFA program.

Genres Available to Mentor

Creative Nonfiction in all its forms

Brief Bio

I was born in Colombia but lived abroad for 33 years (4 in Alaska, 4 in Kuwait, 14 in Florida, 1 in Turkmenistan, and 10 in Qatar) before repatriating to Colombia a couple of years ago.

I am a petroleum engineer by background, a cultural anthropologist, and hold a doctorate in something absolutely useless.

I have published dozens of award-winning essays, some of which have appeared in The Best American Essays series. I am the author of four nonfiction books: Looking for Esperanza, winner of the 2011 Social Justice and Equity Award in Creative Nonfiction. My Mother's Funeral, a CNF work set in Colombia. Keeping Quiet: Sixteen Essays on Silence, winner of the Red Hen Press nonfiction award, and Good Girls Don't Sing La Bamba, upcoming in March 2026.

Genres Available to Mentor

Poetry, Nonfiction, Fiction, Dramatic Writing (Plays and Screenplays)

Brief Bio

William Patrick’s works have been published or produced in a number of genres: creative nonfiction, poetry, fiction, screenwriting, and drama. His most recent book, Metrofix: The Combative Comeback of a Company Town, was published in the fall of 2021. Three of his previous nonfiction books — Learning at the Speed of Light: How Online Education Got to Now; The Call of Nursing: Voices from the Front Lines of Health Care; and Courageous Learning: Finding a New Path through Higher Education, were published by Hudson Whitman/Excelsior College Press between 2011 and 2017.

Saving Troy, published by SUNY Press in 2009, is a creative nonfiction chronicle of a year spent riding along with professional firefighters and paramedics. From that experience, Patrick also wrote a screenplay, Fire Ground, as well as a radio play, Rescue, which was commissioned by the BBC and aired on BBC 3. An earlier teleplay, Rachel's Dinner, starring Olympia Dukakis and Peter Gerety, was aired nationally on ABC-TV, and his third feature-length screenplay, Brand New Me, was optioned by Force Ten Productions of Los Angeles and used as the basis for the remake of The Nutty Professor.

His memoir in poetry, We Didn't Come Here for This (1999), was published by BOA Editions, as was These Upraised Hands (1995), a book of narrative poems and dramatic monologues, and a novel, Roxa: Voices of the Culver Family, which won the 1990 Great Lakes Colleges Association New Writers Award for fiction.

Mr. Patrick is the recipient of awards in writing from The National Endowment for the Arts, The Massachusetts Arts Council, the New York Foundation for the Arts, the Virginia Commission for the Arts, and the Academy of American Poets, among others. He has taught at Salem State University, Old Dominion University, The College of St. Rose, and The University at Albany. He also founded and directed the New York State Summer Young Writers Institute – a two-week summer writing camp at Skidmore College for high school writers – from 1999 through 2019. Mr. Patrick has been a faculty member in Fairfield University’s MFA Program in Writing since 2009. He is currently working on a memoir in essays, and the most recent, “Accident,” appears in the current winter edition of Solstice Magazine online.

Genres Available to Mentor

Screenwriting, Playwriting & Fiction

Brief Bio

Jennifer Vanderbes is a novelist, playwright and screenwriter whose work has been translated into sixteen languages.

Her play Primating premiered last summer at the Arkansas Repertory Theater, and she has written television pilots for Lifetime, Bravo, TriStar and Universal Cable Productions. Most recently, she adapted Katherine Nevilles international bestseller, The Eight, for Fox television. She has written historical biopics for Paramount and Tangled Bank Studios and is currently a Story Editor on Season 22 of NBC’s Law & Order.

She has published three novels — Easter Island, named a "best book of 2003" by the Washington Post and Christian Science Monitor, Strangers at the Feast, described by O, The Oprah Magazine as "a thriller that also raises large and haunting questions about the meaning of guilt, innocence, and justice," and The Secret of Raven Point, hailed by Vogue Magazine as “unputdownable.”

Her non-fiction book, Wonder Drug: The Secret History of Thalidomide in America and Its Hidden Victims, will be published in June 2023 by Random House and HarperCollins UK.

A graduate of the Iowa Writers’ Workshop, Jennifer has received numerous awards for her work, including a Guggenheim Fellowship, an Alfred P. Sloan Foundation grant, a Cullman Fellowship at the New York Public Library, an Athena Film Festival Prize and a Dramatic Writing Fellowship from the New York State Foundation for the Arts. She was named a 2019- 2020 NEH Public Scholar for her work on Wonder Drug.

She has also taught writing at the Iowa Writers’ Workshop and the Columbia University M.F.A. Program.

For more information, visit www.jennifervanderbes.com.

Genres Available to Mentor

Poetry

Brief Bio

Ellen Doré Watson’s fifth and most recent collection is pray me stay eager (Alice James Books, 2018). Her poems have appeared in The American Poetry Review, Tin House, Orion, and The New Yorker. She has translated over a dozen books from Brazilian Portuguese, including the work of Adélia Prado. Ellen’s honors include a Rona Jaffe Writers Award, fellowships to the MacDowell Colony, Yaddo, and Sacatar, as well as an NEA Translation Fellowship. She was hailed by Library Journal as one of the 24 Poets for the 21st Century, and The New York Times called her “a master of the spontaneous moment, the merging and blending of consciousness, the delicious difficulties of relationships, and questions rising from intensified experience.”

Ellen taught poetry writing and directed the Poetry Center at Smith College for decades, as well as teaching at the Drew University MFA Program and serving as Poetry and Translation Editor of The Massachusetts Review for forty years. She continues as core faculty the Colrain Manuscript Workshop, offers generative and critique workshops on Zoom, and takes on private students for developmental editing of poetry manuscripts.

Genres Available to Mentor

Dinty is supervising Brevity readers and editors; consider joining this group as part of your work!

Brief Bio

Dinty W. Moore worked as a journalist, a documentary filmmaker, a zookeeper, a modern dancer, and a Greenwich Village waiter before realizing he was lousy at all of those and wanted to be a writer. He is author of the memoir Between Panic & Desire, winner of the Grub Street Nonfiction Book Prize, The Accidental Buddhist: Mindfulness, Enlightenment, and Sitting Still, and the writing guide Crafting the Personal Essay, among many other books. He has published in Harper’s, The New York Times Magazine, The Southern Review, The Georgia Review, Kenyon Review, Creative Nonfiction, and elsewhere. Moore is founding editor of Brevity, the journal of flash nonfiction, and has taught master classes and workshops across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico. He is deathly afraid of polar bears.

Genres Available to Mentor

Publishing, or self-designed third semester projects. I have edited nonfiction and I also have experience with immersion writing.

Brief Bio

Christopher Madden is an author, educator, editor, and publisher. He is a founding partner of Woodhall Press, an independent publisher based in Connecticut, where he serves as the executive editor. His creative work has appeared in Silver Birch Press, Temenos, SPRY Lit, Ball, and Airways Magazine and he is the author/editor (as Penny Farthing) of Alice’s Adventures in #Wonderland — a gentle update of the Lewis Carroll classic for the Instagram age. He is the editor of numerous prize-winning books and has worked with poet laureates, New York Times bestselling authors, and emerging writers. He teaches literature at Fairfield University, where he has also taught poetry, fiction, and honors studies. He teaches publishing in the Fairfield MFA program, and serves as a thesis advisor to students in the Johns Hopkins University MA in Writing program. He has a BA in English from the University of Wisconsin and an MFA in fiction writing from Fairfield University.

Ayad Akhtar is a novelist and playwright. His work has been published and performed in over two dozen languages. He is the winner of the Pulitzer Prize for Drama, the Edith Wharton Citation of Merit for Fiction, and an Award in Literature from the American Academy of Arts and Letters.

Akhtar is the author of Homeland Elegies (Little, Brown & Co.), which The Washington Post called “a tour de force” and The New York Times called “a beautiful novel…that had echoes of The Great Gatsby and that circles, with pointed intellect, the possibilities and limitations of American life.” An eight-episode limited series of Homeland Elegies is in development at FX, starring Kumail Nanjiani and adapted by Akhtar and Oren Moverman. His first novel, American Dervish (Little, Brown & Co.), was published in over 20 languages.

As a playwright, he has written Junk (Lincoln Center, Broadway; Kennedy Prize for American Drama, Tony nomination); Disgraced (Lincoln Center, Broadway; Pulitzer Prize for Drama, Tony nomination); The Who & The What (Lincoln Center); and The Invisible Hand (NYTW; Obie Award, Outer Critics Circle John Gassner Award, Olivier, and Evening Standard nominations).

Among other honors, Akhtar is the recipient of the Steinberg Playwright Award, the Nestroy Award, the Erwin Piscator Award, as well as fellowships from the American Academy in Rome, MacDowell, the Sundance Institute, and Yaddo, where he serves as a Board Director. Additionally, Ayad is a Board Trustee at New York Theatre Workshop, and PEN America, where he serves as President. In 2021, Akhtar was named the New York State Author, succeeding Colson Whitehead, by the New York State Writers Institute.

Carrie Brown is the author of seven novels – Rose’s Garden, Lamb in Love, The Hatbox Baby, Confinement, The Rope Walk, The Last First Day, and The Stargazer’s Sister — as well as a collection of short stories, The House on Belle Isle. Her short stories and essays have appeared in a wide variety of literary journals, including the Southern Review, Glimmer Train, Tin House, the  Oxford American and the Georgia Review. Brown has been the recipient of numerous awards and fellowships, including a National Endowment for the Arts fellowship, the Barnes & Noble Discover Award, the Great Lakes Book Award, and, twice, the Library of Virginia Award for the best work of fiction by a Virginia author.

She has taught creative writing for many years, including at Hollins University, the University of North Carolina-Greensboro, Deerfield Academy in Massachusetts, and Sweet Briar College, where she is currently the Margaret Banister Writer-in-Residence.

Meghan Daum is the author of four books, most recently the collection of original essays The Unspeakable: And Other Subjects of Discussion, which won the 2015 PEN Center USA Award for creative nonfiction. She is also the editor of the New York Times bestseller Selfish, Shallow & Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids. Her other books include the essay collection My Misspent Youth, the novel The Quality of Life Report, and the memoir Life Would be Perfect if I Lived in that House. Since 2005, Meghan has been an opinion columnist at The Los Angeles Times, covering cultural and political topics.

The recipient of a 2015 Guggenheim Fellowship and a 2016 National Endowment for the Arts fellowship, Meghan is an adjunct associate professor in the MFA Writing Program at Columbia University's School of the Arts.

Celeste Doaks is the author of Cornrows and Cornfields, and editor of the poetry anthology Not Without Our Laughter. Her chapbook, American Herstory, was Backbone Press’s first-place winner in 2018. Herstory contains poems about the artwork former First Lady Michelle Obama chose for the White House. Doaks is a Carolina African American Writers’ Collective (CAAWC) member and has received fellowships and residencies from Yaddo, Atlantic Center of the Arts, Community of Writers Squaw Valley, and the Fine Arts Work Center. A professor for over a decade, her poems, reviews, and cultural essays have appeared in multiple US and UK on-line and print publications including Ms. Magazine, The Rumpus, The Millions, Huffington Post, Chicago Quarterly Review, Obsidian: Literature Magazine, The Hopkins Review, Asheville Poetry Review and many others.

Avni Doshi, a New Jersey native who now lives in Dubai, was awarded the Tibor Jones South Asia Prize in 2013 and a Charles Pick Fellowship in 2014. Her writing has appeared in British Vogue, Granta and The Sunday Times. Her first novel, Burnt Sugar, was originally released in India under the title Girl in White Cotton, where it won the 2021 Sushila Devi Award and was longlisted for the 2019 Tata First Novel Prize. Upon publication in the UK, Burnt Sugar was shortlisted for the 2020 Booker Prize. In 2021, it was longlisted for the Women’s Prize. Named a 2020 Book of the Year by the Guardian, Economist, Spectator and NPR, it is being published in 23 languages.

Mark Doty is the author of eight books of poetry and four volumes of nonfiction prose; his newest book, Fire to Fire: New and Selected Poems, was published by HarperCollins in 2008. His 2007 memoir Dog Years was a  New York Times bestseller. His work has been honored by the National Book Critics Circle Award, the  Los Angeles Times Book Prize, the PEN/Martha Albrand Award for Nonfiction, and a Whiting Writers Award. He remains the only American poet to have won the T.S. Eliot Prize in the United Kingdom. He's received fellowships from the Guggenheim and Ingram Merrill Foundations, as well as the National Endowment for the Arts. He has taught at the University of Iowa, Columbia University, New York University, Cornell, and Stanford, and currently is John and Rebecca Moores Professor in the graduate program in writing at the University of Houston, where he teaches one semester each year. The rest of the time, he lives in New York City. Congratulations to Mark Doty on winning the National Book Award in poetry for Fire to Fire: New and Selected Poems.

Author

The Cage Keeper and Other Stories
Bluesman
House of Sand and Fog
The Garden of Last Days
Townie (memoir)

Carlos M. N. Eire was born in Havana, in 1950. In 1962 he fled to the United States as one of the 14,000 unaccompanied children airlifted out of communist Cuba by Operation Pedro Pan. After living in several foster homes, he was reunited with his mother in 1965, but his father was never able to leave the island. He is now the T. Lawrason Riggs Professor of History and Religious Studies at Yale University, where he earned his Ph.D. in 1979. He is the author of War Against the Idols, From Madrid to Purgatory, A Very Brief History of Eternity, and  Reformations: Early Modern Europe 1450-1700 (forthcoming, Yale, 2012). He is also co-author of Jews, Christians, Muslims: An Introduction to Monotheistic Religions. His memoir of the Cuban Revolution, Waiting for Snow in Havana, which won the National Book Award in nonfiction for 2003, has been translated into thirteen languages, but is banned in Cuba, where he is considered an enemy of the state. The sequel to this memoir, Learning to Die in Miami, appeared in 2010.

Paul Hertneky has written stories, essays, and scripts for the Boston Globe, Pittsburgh Post-Gazette, NBC News, The Comedy Channel, Gourmet, Eating Well, Traveler’s Tales, The Exquisite Corpse, National Public Radio, Public Radio International, Adbusters, and many more, for over 26 years. He has won a Solas Award for travel writing and two James Beard Award nominations. He is also the author of RUST BELT BOY: Stories of an American Childhood (Bauhan). A graduate of the Bennington Writing Seminars, he serves on the faculty of Chatham University and lives with his wife, Robbie, in Hancock, NH.

Geof Hewitt: “I've been writing and publishing poems (since 1965) and teaching for a living. I hope the language of my poems is conversational, heightened only by a lucky image or cherished surprise.  The Perfect Heart, my book of selected poems from Mayapple (2010), reflects that hope. I do not write "slam" poems, but I brag that I am Vermont's reigning poetry-slam champion (since 2004, the last year Vermont held a sanctioned championship).

Richard Hoffman is the author of three poetry collections: Without Paradise, Gold Star Road, winner of the 2006 Barrow Street Press Poetry Prize and the New England Poetry Club's Sheila Motton Book Award, and his latest, Emblem. His prose works include the celebrated Half the House: a Memoir, Interference & Other Stories, and  Love & Fury‌.

Marlon James won the 2015 Man Booker Prize for Fiction for A Brief History of Seven Killings, making him the first Jamaican author to take home the U.K.’s most prestigious literary award. In the work, James combines masterful storytelling with brilliant skill at characterization and an eye for detail to forge a bold novel of dazzling ambition and scope. He explores Jamaican history through the perspectives of multiple narrators and genres: the political thriller, the oral biography, and the classic whodunit confront the untold history of Jamaica in the 1970's, with excursions to the assassination attempt on reggae musician Bob Marley, as well as the country's own clandestine battles during the cold war.

James cites influences as diverse as Greek tragedy, William Faulkner, the LA crime novelist James Ellroy, Shakespeare, Batman and the X-Men. Writing for The New York Times, Michiko Kakutani said of A Brief History of Seven Killings, “It’s epic in every sense of that word: sweeping, mythic, over-the-top, colossal and dizzyingly complex. It’s also raw, dense, violent, scalding, darkly comic, exhilarating and exhausting—a testament to Mr. James’s vaulting ambition and prodigious talent.” In addition to the Man Booker Prize, A Brief History of Seven Killings won the American Book Award, the Anisfield-Wolf Book Prize, the OCM Bocas Prize for Caribbean Literature, the Minnesota Book Award, and was a finalist for the National Book Critics Circle Award.  

Marlon James’ first novel, John Crow's Devil, tells the story of a biblical struggle in a remote Jamaican village in the 1950s. Though rejected 70 times before being accepted for publication, John Crow's Devil went on to become a finalist for the Los Angeles Times Book Prize and the Commonwealth Writers Prize, as well as a New York Times Editor's Choice. His second novel, The Book of Night Women, is about a slave women's revolt on a Jamaican plantation in the early 19th century. The work won the 2010 Dayton Literary Peace Prize, Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction, as well as an NAACP Image Award.

James’ short fiction and nonfiction have been anthologized in Bronx Noir, The Book of Men: Eighty Writers on How to Be a Man and elsewhere, and have appeared in Esquire, Granta, Harper’s, The Caribbean Review of Books and other publications. His widely read essay, “From Jamaica to Minnesota to Myself,” appeared in the New York Times Magazine. In early 2016 his viral video Are you racist? ‘No’ isn’t a good enough answer received millions of hits. His best-selling book, Black Leopard, Red Wolf, is the first in the Dark Star Trilogy, a fantasy series set in African legend. Black Leopard, Red Wolf was a finalist for the 2019 National Book Award in the Fiction category and was named one of the Washington Post's 10 Best Books of 2019. It also received the Ray Bradbury Prize for Science Fiction, Fantasy and Speculative Fiction from the Los Angeles Times Book Prizes and was awarded the 2020 Locus Award for Horror. James hosts a podcast about literature with Jake Morrissey called Marlon and Jake Read Dead People.

Marlon James was born in Kingston, Jamaica in 1970. He graduated from the University of the West Indies in 1991 with a degree in Language and Literature, and from Wilkes University in Pennsylvania in 2006 with a Masters in creative writing. He lives in Minneapolis, Minnesota and teaches English and creative writing at Macalester College. In 2018 Marlon James received an American Academy of Arts and Letters Award in Literature. In April 2019 he was named one of Time Magazine's 100 Most Influential People of 2019 in the Pioneers category.

In his presentations, James addresses topics related to writing and the writing process, as well as issues pertaining to the history of the Caribbean, race and gender in the US and UK, and youth subcultures as expressed in literature and music such as hip-hop and reggae.

Mary Karr is an award-winning poet and best-selling memoirist. She is the author of Lit and the critically-acclaimed and New York Times best-selling memoirs  The Liars' Club and Cherry. The Liars' Club won prizes for best first nonfiction from PEN (The Martha Albrand Award for nonfiction), the Texas Institute for Letters, and was a finalist for The National Book Critics Circle Awards. Of her poet's soul, Karr says, "From a very early age, when I read a poem, it was as if the poet's burning taper touched some charred filament in my rib cage to set me alight." Her poetry grants include The Whiting Writer's Award, an NEA, a Radcliffe Bunting Fellowship, and a Guggenheim. She has won prizes from Best American Poetry as well as Pushcart Prizes for both poetry and essays. Her four volumes of poetry are Sinners Welcome (HarperCollins, 2006), Viper Rum (Penguin, 1998),  The Devil's Tour‌ (New Directions, 1993), and Abacus (Wesleyan, 1986). Her work appears in such magazines as The New Yorker,  The Atlantic, Poetry, and Parnassus. Karr is the Jesse Truesdell Peck Professor of Literature at Syracuse University and was the weekly poetry editor for the  Washington Post Book World's "Poet's Choice" column, a position canonized by Bob Hass, Ed Hirsch, and Rita Dove. She lives in Syracuse, New York and New York City.

Paul Lakeland is the Aloysius P. Kelley, S.J., Professor of Catholic Studies and founding director of the Center for Catholic Studies at Fairfield University. Educated at Heythrop Pontifical Athenaeum, Oxford University, the University of London, and Vanderbilt University, he has taught at Fairfield since 1981. He is the author of ten books, the most recent of which is The Wounded Angel: Fiction and the Religious Imagination‌. He is a member of the American Academy of Religion, the American Theological Society, the College Theology Society, and the Catholic Theological Society of America. He blogs occasionally and reviews fiction for Commonweal, a Catholic journal of opinion.

Wally Lamb is the author of six New York Times best-selling novels: I’ll Take You There, We Are Water, Wishin’ and Hopin’, The Hour I First Believed, I Know This Much is True, and She’s Come Undone and was twice selected for Oprah’s Book Club. Lamb also edited Couldn’t Keep It to Myself and I’ll Fly Away, two volumes of essays from students in his writing workshop at York Correctional Institution, a women’s prison in Connecticut, where he has been a volunteer facilitator for the past 17 years.

Valerie Martin‌ is the author of eleven novels, including Trespass, Mary Reilly, Italian Fever, and  Property, four collections of short fiction, and a biography of St. Francis of Assisi . She has been awarded the Kafka Prize (for Mary Reilly) and Britain’s Orange Prize (for Property.)

Her most recent novel The Ghost of the Mary Celeste was published in 2014 and Sea Lovers, a volume of new and selected short fiction was published in August of 2015.

From Jamaica, and born to a Jamaican father and Venezuelan mother, poet Shara McCallum is the author of six books published in the US & UK, including No Ruined Stone (forthcoming later in 2021), a verse sequence based on an alternate account of history and Scottish poet Robert Burns’ near migration to Jamaica to work on a slave plantation. La historia es un cuarto/History is a Room, an anthology of poems selected from across her six books and translated and introduced by Adalber Salas Hernández, will also be published in 2021 (Mantis Editores, Mexico). McCallum’s poems have appeared in journals, anthologies, and textbooks throughout the US, Caribbean, Latin America, Europe, and Israel. In addition to Spanish, her poems have been translated into Italian, French, Romanian, Dutch, and Turkish and have been set to music by composers Marta Gentilucci and Gity Razaz. Awards for her work include the OCM Bocas Prize for Caribbean Literature (for her previous book, Madwoman), a Witter Bynner Fellowship from the Library of Congress, an NEA Fellowship in Poetry, the Oran Robert Perry Burke Award for Nonfiction, and the Agnes Lynch Starrett Prize (for her first book, The Water Between Us).

Rick Moody, author of several books, short stories and a memoir, most famously, The Ice Storm, is the recipient of the Editor's Choice Award from the Pushcart Press and the Addison Metcalf Award from the American Academy of Arts and Letters. He is also a winner of the NAMI/Ken Book Award, the PEN Martha Albrand prize for excellence in the memoir, and the 2994 Aga Khan Award from The Paris Review. His short fiction and journalism have been anthologized in Best American Stories 2001 and Best American Essays 2004. His latest book, three novellas called Right Livelihoods, was published last year. Moody is a member of the board of directors of the Corporation of Yaddo, an artistic community that nurtures the creative process. He is also the secretary of the PEN American Center, and he co-founded the Young Lions Book Award at the New York Public Library. He has taught at the State University of New York at Purchase, the Bennington College Writing Seminars, the Fine Arts Work Center in Provincetown, and the New School for Social Research. Born in New York City, Moody now lives in Brooklyn.

David Mura is a poet, creative nonfiction writer, fiction writer, critic, and playwright. A Sansei, or third generation Japanese American, Mura has written two memoirs: Turning Japanese: Memoirs of a Sansei, which won an Oakland PEN Josephine Miles Book Award and was a New York Times Notable Book, and Where the Body Meets Memory: An Odyssey of Race, Sexuality, and Identity. His novel, Famous Suicides of the Japanese Empire, was a finalist for the Minnesota Book Award, the John Gardner Fiction Prize, and Virginia Commonwealth University Cabell First Novelist Award. His four poetry collections are The Last Incantations, Angels for the Burning, The Colors of Desire, which won the Carl Sandburg Literary Award from the Chicago Public Library, and After We Lost Our Way, a National Poetry Series Contest winner. His other books included A Male Grief: Notes on Pornography & Addiction and a book of critical essays, Song for Uncle Tom, Tonto & Mr. Moto: Poetry & Identity. His latest book is on creative writing and titled, A Stranger's Journey: Race, Identity & Narrative Craft in Writing.

Mura has taught at the Stonecoast MFA program, the University of Oregon, the University of Minnesota, Hamline University, Macalester College, St. Olaf College and the VONA Writers' Conference. He has worked as the Director of Training with the Innocent Classroom, a program that trains K-12 teachers to improve their relationships with students of color.

Mira Nair was born and raised in Rourkela, India, and went on to study at Delhi and Harvard University. She began her career as an actress before segueing into documentary filmmaking. Her narrative feature debut, Salaam Bombay! (1988), won the Caméra d’Or and was nominated for an Academy Award for Best Foreign Language Film.

A resourceful and determined independent filmmaker who casts unknowns alongside Hollywood stars, Nair went on to direct Mississippi Masala (1991), The Perez Family (1995), Kama Sutra: A Tale of Love (1996), Hysterical Blindness (2002), Vanity Fair (2004), The Namesake (2006), Amelia (2009), and The Reluctant Fundamentalist (2012). Her most recent film, Queen of Katwe (2016), starring Lupita Nyong’o and David Oyelowo, is based on the true story of the Ugandan chess prodigy, Phiona Mutesi. Nair’s acclaimed film Monsoon Wedding (2001) was recently brought to the Berkeley Repertory Theatre as a musical, where it completed an extended, sold-out run.

A long time activist, in 1998, Nair used the profits from Salaam Bombay! to create Salaam Baalak Trust, which works with street children in India. In 2005, she established Maisha Film Lab in Kampala, Uganda, a nonprofit training initiative for emerging East African filmmakers. Maisha is currently building a school with architect Raul Pantaleo, winner of the Aga Khan Award for Architecture, and his company Studio Tamassociati.

Sigrid Nunez has published seven novels, including A Feather on the Breath of God, The Last of Her Kind, Salvation City, and most recently, The Friend, which has been long-listed for the 2018 National Book Award. She is also the author of Sempre Susan: A Memoir of Susan Sontag. Among the journals to which she has contributed are The New York Times, The New York Times Book Review, The Paris Review, Threepenny Review, Harper's, McSweeney's, Tin House, The Believer, and newyorker.com. Her work has also appeared in several anthologies, including four Pushcart Prize volumes and four anthologies of Asian American literature. Learn more.

Jayne Anne Phillips is the author of four novels, MotherKind, Shelter, Machine Dreams, and Lark and Termite for which she was a finalist for the 2009 National Book Award. Phillips is also the author of two collections of widely anthologized stories, Fast Lanes and Black Tickets. She is the recipient of a Guggenheim Fellowship, two National Endowment for the Arts Fellowships, and a Bunting Fellowship. She was awarded the Sue Kaufman Prize for First Fiction at the age of 26 for Black Tickets, and has also received Academy Award in Literature by the American Academy of Arts and Letters for Shelter. Her work has been translated into twelve languages, and has recently appeared in  Granta, Harper's, DoubleTake, and The Norton Anthology of Contemporary Fiction.

Nahid Rachlin went to Columbia University’s Writing Program on a Doubleday-Columbia Fellowship and then to Stanford University’s Writing Program on a Stegner Fellowship. Her publications include a memoir, Persian Girls (Penguin), and four novels including Jumping Over Fire (City Lights) and Foreigner (W.W. Norton). She has a short story collection, A Way Home, in press for July 2018, and her individual short stories have appeared in many magazines. One of her stories was adopted by Symphony Space, “Selected Shorts,” and was aired on NPR’s around the country. Three of her stories were nominated for Pushcart Prize. Her work has been translated into Portuguese, Polish, Italian, Dutch, Czech, German, Arabic, and Persian. She has been interviewed on NPR stations such as Fresh Air (Terry Gross), and in magazines including, Poets & Writers and Writers Chronicle. She has written reviews and essays for the New York Times and Los Angeles Times. www.nahidrachlin.com

One of American poetry's longtime masters of the art, Philip Schultz is a Pulitzer Prize-winning poet and the founder/director of The Writers Studio, a private school for fiction and poetry writing based in New York City. He is the author of several collections of poetry, including Failure, winner of the 2008 Pulitzer Prize. These poems give voice to failures of many kinds - yet they are full of tenderness, empathy, and heartbreaking honesty, giving praise to the joy of life as well. His other collections include Living in the Past, and The Holy Worm of Praise. He is also the author of Deep Within the Ravine, recipient of The Academy of American Poets Lamont Prize; Like Wings, winner of an American Academy & Institute of Arts and Letters Award as well as a National Book Award nomination. The God of Loneliness: New and Selected Poems will be published next year. His work has been published in  The New Yorker, Partisan Review, The New Republic, The Paris Review, Slate, among other magazines. He is the recipient of a Fulbright Fellowship and a 2005 Guggenheim Fellowship in poetry. He also received a National Endowment for the Arts Fellowship in Poetry (1981), a New York Foundation for the Arts Fellowship in Poetry (1985), as well as the Levinson Prize from Poetry magazine.

Rion Amilcar Scott is the author of the story collection, The World Doesn't Require You. His debut story collection, Insurrections was awarded the 2017 PEN/Bingham Prize for Debut Fiction and the 2017 Hillsdale Award from the Fellowship of Southern Writers. His work has been published in journals such as The New Yorker, The Kenyon Review, Crab Orchard Review, and The Rumpus, among others. One of his stories was listed as a notable in Best American Stories 2018 and one of his essays was listed as a notable in Best American Essays 2015. Presently, he teaches Creative Writing at the University of Maryland.

Sejal Shah writes across genres and disciplines. She is the author of the debut essay collection, This Is One Way to Dance (University of Georgia Press), named an NPR Best Book of 2020 and which appeared on over 30 most-anticipated lists. Her stories, poems, and essays have appeared widely—including Brevity, Guernica, Conjunctions, the Kenyon Review Online, and Longreads. She is the recipient of a New York Foundation for the Arts Fellowship in Fiction and fellowships from Blue Mountain Center, the Kenyon Review Writers’ Workshop, Kundiman, and The Millay Colony. She holds a BA in English from Wellesley College and an MFA in English/Creative Writing (fiction) from the University of Massachusetts at Amherst. Sejal recently completed a story collection with images and is working on a new manuscript about friendship, mentorship, illness, and mental health. She lives in Rochester, New York.

Dani Shapiro is the bestselling author of the memoirs Devotion and Slow Motion, and the novels Black & White and Family History. Her essays and stories have appeared in The New Yorker, Granta, Tin House, Elle, Vogue, Ploughshares, One Story, The New York Times Book Review, and have been broadcast on NPR's "This American Life". She has taught in the graduate writing programs at Columbia, NYU, The New School, and Brooklyn College. She is co-founder of The Sirenland Writers' Conference in Positano, Italy. Her latest book, Still Writing: The Pleasures and Perils of a Creative Life, was published in October, 2013.

Anita Shreve has published 13 novels, among them The Weight of Water, The Pilot's Wife, The Last Time They Met, A Wedding in December, and  Body Surfing. She has received the PEN/L. L. Winship Award and the New England Book Award for fiction. In 1999, The Pilot's Wife became the 25th selection of Oprah's Book Club and an international bestseller. In April 2002, CBS aired the film version of The Pilot's Wife, starring Christine Lahti, and in fall 2002, The Weight of Water, starring Elizabeth Hurley and Sean Penn, was released in movie theaters.

Sue William Silverman's memoir, Love Sick: One Woman's Journey Through Sexual Addiction (W. W. Norton), is also a Lifetime television original movie. Her first memoir, Because I Remember Terror, Father, I Remember You, won the Association of Writers and Writing Programs award series in creative nonfiction. One of her essays appears in The Touchstone Anthology of Contemporary Nonfiction, while others won contests with  Hotel Amerika, Mid-American Review, and Water~Stone Review. Her poetry collection is Hieroglyphics in Neon and a craft book,  Fearless Confessions: A Writers Guide to Memoir, is forthcoming with the University of Georgia Press (Spring, 2009). As a professional speaker, Sue has appeared on "The View," "Anderson Cooper 360," and "CNN-Headline News." Additionally, she was featured in a recent interview in The Writer's Chronicle; is associate editor of Fourth Genre; and teaches in the MFA in Writing program at Vermont College of Fine Arts (www.suewilliamsilverman.com).

Tracy K. Smith received the 2012 Pulitzer Prize in poetry for her third book of poems, Life on Mars. The collection draws upon the genre of science fiction in considering who we humans are and what the vast universe holds for us. In poems of political urgency, tenderness, elegy and wit, Smith conjures version upon version of the future, imagines the afterlife, and contemplates life here on earth in our institutions, cities, houses and hearts. Life on Mars was a New York Times Notable Book, a New York Times Book Review Editors’ Choice, and a New Yorker, Library Journal, and Publishers Weekly Best Book of the Year.

Smith’s debut collection, The Body’s Question, was selected by Kevin Young as winner of the Cave Canem Prize for the best first book by an African American poet. Straddling languages, speakers, and geographies, the poems bear witness to love, loss, and belonging while laying claim to a large and nimble sense of identity. In his introduction, Young writes, “Smith…seems perfectly at home speaking of grief and loss, of lust and hunger, of joy and desire—which here often means the desire for desire, and a desire for language itself.”

Duende, Smith’s second book, received the James Laughlin Award from the Academy of American Poets. The collection takes its title from a term Federico Garcia Lorca brought into broad parlance. The duende is the wild, unpredictable and oftentimes dangerous energy an artist might seek to conjure up and contend with. Unlike the Muse, which exists beyond or above the artist, the duende sleeps deep within—as pure urge, fury, chaos, and passion—waiting to be awakened and wrestled, often at great cost. In Smith’s hands, this sense of artistic struggle and daring meets up with forms of social and political struggle, resistance and survival. It also illuminates the private upheaval of divorce and its aftermath.

In her memoir, Ordinary Light, Smith explores her own experience of race, religion, and the death of her mother shortly after Smith graduated from Harvard. The book was a finalist for the National Book Award, and named a Notable Book by both the New York Times and Washington Post.

Zadie Smith’s acclaimed first novel, White Teeth (2000) won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, and the Commonwealth Writers Prize. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002, and for the stage in November 2018. In 2020, the New York Public Library voted White Teeth one of the “125 most important books of the last 125 years.”

The Autograph Man (2002) won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction. In 2003 and 2013, she was named one of 20 ‘Best of Young British Novelists’ by Granta magazine. Her book On Beauty won the 2006 Orange Prize for Fiction and her novel NW was shortlisted for the Royal Society of Literature Ondaatje Prize and the Women’s Prize for Fiction and was named as one of The New York Times ‘10 Best Books of 2012.’ Her most recent novel is Swing Time (2016). She has published two collections of essays, Changing My Mind: Occasional Essays (2009) and Feel Free (2018). Her most recent book is a collection of short stories titled Grand Union (2019). Her new book is a collection of six essays titled Intimations (2020).

Zadie Smith writes regularly for The NewYorker and the NewYork Review of Books. In 2017, she was elected a Foreign Honorary Member of the American Academy of Arts & Letters, she was also the recipient of the 2017 City College of New York’s Langston Hughes Medal. Zadie Smith is currently a tenured professor of creative writing at New York University.

Natasha Trethewey served two terms as the 19th Poet Laureate of the United States (2012-2014). She is the author of five collections of poetry, Monument (2018), which was long listed for the 2018 National Book Award; Thrall (2012); Native Guard (2006), for which she was awarded the Pulitzer Prize; Bellocq’s Ophelia (2002); and Domestic Work (2000), which was selected by Rita Dove as the winner of the inaugural Cave Canem Poetry Prize for the best first book by an African American poet and won both the 2001 Mississippi Institute of Arts and Letters Book Prize and the 2001 Lillian Smith Award for Poetry.

Trethewey is also the author of the memoir Memorial Drive (2020). Her book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast, appeared in 2010. She is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard. At Northwestern University she is a Board of Trustees Professor of English in the Weinberg College of Arts and Sciences. In 2012, she was named Poet Laureate of the State of Mississippi and and in 2013, she was inducted into the American Academy of Arts and Sciences.

Barbara Ungar has published four books of poetry, most recently Immortal Medusa and Charlotte Brontë, You Ruined My Life, both Hilary Tham selections from The Word Works. Her prior books are Thrift and The Origin of the Milky Way, which won the Gival Press Poetry Award, a silver Independent Publishers award, a Hoffer award, and the Adirondack Center for Writing poetry award. Also the author of several chapbooks and Haiku in English, Barbara has published poems in Salmagundi, Rattle, The Nervous Breakdown, and many other journals. Barbara is a professor of English at the College of Saint Rose in Albany.

Ellen Doré Watson is a poet and translator who was named by Library Journal as “one of 24 poets for the 21st Century.” Her poems have appeared in APR, Tin House, Gulf Coast, and The New Yorker, and honors include fellowships from the MacDowell Colony, Yaddo, and the NEA (to translate Brazilian Adélia Prado). Her fifth collection, pray me stay eager, is from Alice James (2018). Director of the Poetry Center at Smith College for two decades, she’s currently Conkling Visiting Poet, as well as the poetry and translation editor of Massachusetts Review and core faculty in Drew University’s MFA Program in Poetry and Translation.

Judith Weber a principal in Sobel Weber Associates, Inc., joined the agency in 1977, following several years as Director of Publicity, Promotion, and Advertising and in senior editorial positions with major publishers. She has been a member of the International Association of Culinary Professionals and of Les Dames d'Escoffier. She is a founder of the New York Literary Writers Conference.