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Michael Gallagher Painting

Michael Gallagher
Sketching the Landscape: A Plein Air Journal

Bellarmine Hall Galleries

April 21 – September 8, 2017

In his professional life as one of the world’s foremost paintings conservators, Michael Gallagher has worked on masterpieces by such luminaries of European art as Botticelli, Michelangelo, Poussin, Rubens and Velázquez. Calling on specialized knowledge of materials and techniques used by painters at different moments in history, his sensitive interventions have helped recover the artists’ intentions, revealing luminous surfaces and lost details of panel paintings and canvases that had been compromised by damage and obscured  by later overpaint and darkened varnish. 

In his private moments Gallagher has long sketched and painted landscapes--poetic, evocative and light-dappled scenes of rolling hills, sparkling seasides, rocky outcroppings and moody forests. Done in vastly diverging locales in different continents and hemispheres, at different times of day, and in all four seasons, his plein air watercolors and oil sketches capture a nuanced sense of place, at once changing and immutable, undisturbed by human presence. Discretely observed and inflected by a reticent silence, these ruminations on the landscape in its myriad manifestations form a journal of visual responses, chronicled over time.

Generous support for the exhibition is provided by the Robert and Mercedes Eichholz Foundation.

Michael Gallagher Sketching the Landscape: A Plein Air Journal
Michael Gallagher
Sketching the Landscape: A Plein Air Journal
Michael Gallagher
Sketching the Landscape: A Plein Air Journal
Michael Gallagher Painting
Bellarmine Hall Galleries
April 21 – September 8, 2017

In his professional life as one of the world’s foremost paintings conservators, Michael Gallagher has worked on masterpieces by such luminaries of European art as Botticelli, Michelangelo, Poussin, Rubens and Velázquez. Calling on specialized knowledge of materials and techniques used by painters at different moments in history, his sensitive interventions have helped recover the artists’ intentions, revealing luminous surfaces and lost details of panel paintings and canvases that had been compromised by damage and obscured  by later overpaint and darkened varnish. 

In his private moments Gallagher has long sketched and painted landscapes--poetic, evocative and light-dappled scenes of rolling hills, sparkling seasides, rocky outcroppings and moody forests. Done in vastly diverging locales in different continents and hemispheres, at different times of day, and in all four seasons, his plein air watercolors and oil sketches capture a nuanced sense of place, at once changing and immutable, undisturbed by human presence. Discretely observed and inflected by a reticent silence, these ruminations on the landscape in its myriad manifestations form a journal of visual responses, chronicled over time.

In his professional life as one of the world’s foremost paintings conservators, Michael Gallagher has worked on masterpieces by such luminaries of European art as Botticelli, Michelangelo, Poussin, Rubens and Velázquez. Calling on specialized knowledge of materials and techniques used by painters at different moments in history, his sensitive interventions have helped recover the artists’ intentions, revealing luminous surfaces and lost details of panel paintings and canvases that had been compromised by damage and obscured  by later overpaint and darkened varnish.  In his private moments Gallagher has long sketched and painted landscapes--poetic, evocative and light-dappled scenes of rolling hills, sparkling seasides, rocky outcroppings and moody forests. Done in vastly diverging locales in different continents and hemispheres, at different times of day, and in all four seasons, his plein air watercolors and oil sketches capture a nuanced sense of place, at once changing and immutable, undisturbed by human presence. Discretely observed and inflected by a reticent silence, these ruminations on the landscape in its myriad manifestations form a journal of visual responses, chronicled over time.

Generous support for the exhibition is provided by the Robert and Mercedes Eichholz Foundation.





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