Image of faculty member, Sara Diaz

Dr. Sara E. Diaz

Assistant Professor of the Practice of Italian
o: Canisius Hall Rm 312
p: x2418


Books and Articles

Margherita Costa, The Buffoons, ed. and trans. Sara E. Díaz and Jessica Goethals, “The Other Voice in Early Modern Europe” series, Toronto: Centre for Reformation and Renaissance Studies, Forthcoming 2015.

“Authority and Misogamy in Boccaccio’s Trattatello in laude di Dante,” for Reconsidering Boccaccio: Medieval Contexts and Global Intertexts, eds. Olivia Holmes and Dana Stewart, Forthcoming 2015.

“Contested Virilities: Constructing Masculinity in Dante’s Tenzone with Forese,” Italian Culture, vol. 32, no. 1, 2014: 1-19.

“The Physiology of Masculinity in Dante’s Florence,” in Mascolinità all’italiana. Cinema, teatro e letteratura, ed. Ventura, Cuneo, IT: Nerosubianco edizioni, June 2013: 38-54.

Reviews and Encyclopedia Entries

Review of Barbara Torelli Benedetti. Partenia, a Pastoral Play. A Bilingual Edition, ed. and trans. Lisa Sampson and Barbara Burgess-Van Aken (Toronto: Centre for Reformation and Renaissance Studies, 2013) for Forum Italicum, vol. 48, no 3, 2014. 

Review of New Worlds and the Italian Renaissance. Contributions to the History of European Intellectual Culture, eds. Andrea Moudarres and Christiana Purdy Moudarres (Leiden: Koninklijke Brill NV, 2012) for Annali d’Italianistica, vol. 31, 2013: 624-6.

Review of Fabian Alfie’s Dante’s ‘Tenzone’ with Forese Donati. The Reprehension of Vice, (Toronto: University of Toronto Press, 2011) for Annali d’Italianistica, vol. 30, 2012: 457-9.

Entries for: Giacomino da Verona, Salimbene da Parma, Agnolo Firenzuola, Cassandra Fedele and Veronica Gàmbara, Encyclopedia of Italian Literary Studies, ed. Gaetana Marrone, New York, NY: Routledge, 2007.

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